Tag Archives: christmas

VCRitage

A Few Minutes with 120 Minutes, 1991

Recently rediscovered within the Vast and Dusty Scratchbomb VHS Archives: A nearly complete episode of 120 Minutes, MTV’s “alternative music” program. This aired December 15, 1991, and provides some insight into what exactly constituted alternative music (at least as far as MTV was concerned) during the waning days of the First Bush administration.

I’ve chopped this up into three pieces to ease playback and preserve some of the flow of the original. The first half hour of the show is missing from my tape, so we pick it up with host Dave Kendall introducing a clip from a live Cure pay-per-view special. I remember more than one friend ordering that special and borrowing the tape from them, then trying to figure out a way to copy it. Never cracked the code before I had to return it.

Though this apisode aired and was presumably taped after Nirvana “broke,” you’ll notice very little Seattle stuff here. Grunge would soon dominate the 120 Minutes playlist, but during this particular episode the videos leaned heavily toward industrial (Ministry, Nitzer Ebb), British shoegaze, and indie rock like Urge Overkill.

If you watched that first video, you heard Mr. Kendall tease a mini-documentary on The Clash, and here it is, narrated by Kurt Loder. There’s some amazing live footage here that I’ve never seen anywhere else, from the band’s early days, their 1982 concert at Shea Stadium, and lots of stuff in between. Also, some interesting testimonials from Joe Strummer, Mick Jones, and Paul Simonon.

And here’s the last half hour of the episode, which contains some curious Christmas music from Hoodoo Gurus and The Wedding Present. Stick around past the end credits to catch an episode of the weird animated omnibus Liquid Television. This show does not seem quite as mind blowing to me as it did back when I was in junior high, but then what does, really?

Finally, if you’re one of those weirdos like me who enjoys watching old commercials, here’s a playlist with ads that aired during this episode, plus a few spots from 1992 I found on the same tape. Highlights include:

  • Promo for MTV’s Best of 1991 programming featuring Cindy Crawford and background music of “Smells Like Teen Spirit,” which is as much 1991 as is legally allowed by law.
  • In the same dated vein, a promo for an issue of People Magazine that promises the lowdown on all the dirt from the set of Hook.
  • Casio Rapmaster keyboard, which looks and sounds exactly like what you think it does.
  • An unsettling Christmas-themed commercial for Playboy.
  • The now-forgotten TurboGrafx 16 gaming console.
  • Weird wrap-around promo for the band The Ocean Blue, which starts with an ad asking you to stick around the real ad.
  • A Super Nintendo commercial featuring a fresh-faced Paul Rudd.
  • Strange ad for Introspect jeans; can’t decide if this is misogynistic or simply dumb.
  • Foot Locker spot featuring Karl Malone’s LA Gear Mailmans, which, yes, was a thing.
Seasonal Fare

Musica para las Fiestas!

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Just before Christmas, my wife borrowed some LPs from her grandmother so we could digitize them. These were albums her family listened to every December for decades. I was not familiar with any of them because these were albums of traditional Puerto Rican holiday music.

While digitizing these records, I was able to listen to them for the first time, enjoyed them immensely, and thought they would make excellent listening any time of year. This is in part because my knowledge of Spanish is limited, thus blunting the Christmas-ness of the lyrics for me. It’s also due to the unique qualities of Puerto Rican holiday music, which tends to be more about partying and patriotism than it is about things Americans think of as “traditional” Christmas song topics. (Lots more on that subject here.)

I couldn’t find out too much information on these albums online, at least not information I could understand (see above in re: Spanish, difficulties with). Nearly all of these albums were released on small specialty labels that are now defunct and, near as I can tell, have not been reissued by anyone. So I figured I might be the world’s last best hope to preserve these albums in all their glory, which show an interesting transition point between traditional musica jibara (“mountain music,” more or less) and the music that came out of New York starting the 1960s that came to be known as salsa.

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Pointless Nostalgia

Pledging

I experienced an awkward moment at a PTA meeting I attended recently. This was something above and beyond the normal awkwardness I feel in a room full of people I do not know and whose only connection to me is having children who attend the same school as my child, as I struggle to form some cruel parody of conversation. “So, I hear your kid likes Justin Bieber?”

The moment came at the beginning of the meeting, when the PTA president insisted we all rise and recite the Pledge of Allegiance. Once I heard this, I was gripped by a childlike but very real panic. I hadn’t been asked to do this seriously* since high school, and for a terrifying split second I wasn’t sure what I should do with myself.

*I include the adverb seriously here because the live Pee-Wee Herman Show I saw with my daughter opened with Pee-Wee reciting the Pledge along with the audience, which I don’t think counts, really.

The reason I wasn’t sure what to do is because I spent a good chunk of my childhood as a Jehovah’s Witness. Witnesses refuse the say the Pledge of Allegiance. They don’t do a lot of things, due to their selectively literal interpretation of the Bible (or their translation thereof; it’s a very long story, the more you hear of the less you truly know). Being a Witness is almost like keeping kosher, but instead of worrying about what you eat, you have to worry about everything else.

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