I’m leaving work, headphones jammed into my ears and a large box under my arm. I’m in that vague, annoyed space of not paying attention to much of anything, of wishing I was home already, and feeling like every step I have to expend to get there is a personal insult. It’s a little after 6pm. The early evening is a little windier and chillier than I anticipated. I wish I’d worn a jacket.
A few blocks up on Hudson Street, I spot a woman in a red tank top, revealing a few tattoos on her upper back and arms. I haven’t seen her face yet, and still she looks vaguely familiar, for reasons I can’t quite put my finger on. She must feel me looking at her, trying to figure this out, so she turns her head, in that I’m-not-trying-look-behind-me-but-I’m-totally-turning-my-head-so-I-can-see-this-person-peripherally. That’s when I figure out that this person is Janeane Garofalo.
In the span of nanoseconds, this revelation brings to mind a few distinct memories from my misspent youth. The first is that, during my college years, I had the habit of running into random celebrities in the streets of Manhattan and somehow scaring them to death.