All posts by Matthew Callan

“Classic” Scratchbomb: Variety Chronicles Frank Sinatra’s Failed Biker Movie

A few years ago, I put together a series of posts on Frank Sinatra’s failed attempt to make a biker movie, as chronicled by Variety magazine. You see, Ol’ Blue Eyes had seen his daughter Nancy in The Wild Angels and decided to give the biker movie genre a try with all his Rat Pack buddies. The results were not good. You may not remember this because it was a long time ago, and because I completely made it up to amuse myself.

For some reason, these posts recently crawled out from the deep recesses of my mind. It occurred to me that I’d done them so long ago, virtually no one had seen them the first time, and I thought they shouldn’t lay dormant and unseen. They deserved to be seen by barely anybody, at least! So now I present to you this post that collects all the Frank/Hells Angels stuff together in one place. If you missed them the first time around, here’s your chance to miss them all over again!

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Ishmael vs. Ahab vs. Jean Shepherd vs. Myself: One Night Only!

To my father, the height of art was Jean Shepherd reading poetry. Shepherd often read poetry on his radio show–performed it, really, as vaudevillians once did with famous verse of their day. The poems could be genuinely great writing like classic Japanese haikus, or melodramatic slop like “A Drunkard’s Dream.” He made no distinction between high and low art, and recited both with equal fervor.

Of all the poems Shepherd read on the air, my father loved most his reading of Lewis Carroll’s nonsense poem “The Hunting of the Snark.” He spoke of it rapturously, as people often do of things they know they’ll never see or hear again, and was fond of repeating the poem’s last line, in a Shepherd-esque low, For the snark was a boojum, you see…

I’ve been listening to old Jean Shepherd radio shows for well over a decade now, ever since new interweb technology allowed people to digitize their old reel-to-reels of his broadcasts. And yet, it was only some time last week, while listening to one of these shows on my commute home, that I realized I’d never heard Shepherd’s rendition of “The Hunting of the Snark.” My father always spoke as if this was something Shepherd did regularly, and yet I’d never heard it? I felt personally insulted, as if the thing was hiding just to screw with my head, and determined I must find it.

Anecdotal evidence indicates that Shepherd read this poem annually in the early 1960s. But when I searched The Brass Figlagee—an enormous cache of Shepherd shows in podcast form—I found nothing. The fansite Flicklives.com has listings for a few programs from 1962 and 1963 whose titles fit the bill, but none of these are available in any form (begging the question how anyone knows the content of these shows in the first place). Max Schmid, a DJ at WBAI and old time radio enthusiast, has literally hundreds of Shepherd shows available for sale, but near as I can tell, none of them contain The Snark.

I plumbed the depths of the internet for days, poking around the scary corners where I sometimes venture looking for old baseball games on DVD, into long-dead Angelfire sites and LiveJournal pages. No dice. I begged on various social media, hoping someone would know what I was talking about, and received some helpful suggestions and offers of help but no paydirt. I pursued dead ends far longer than I should have, unable to convince myself that this thing was lost to the mists of time.

I couldn’t bring myself to concede defeat, though, at least not entirely. Since I couldn’t find this recording for love or money, I convinced myself to do something I’m almost too embarrassed to write down: Record a reading myself. My insane thought was, if all the Shepherd versions were lost forever, perhaps I could do a rendering that would approximate the feel and intent of the original, or at least what I imagine the original was like. It was such a idiotic and childish notion, I simply had to do it.

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Death Becomes Her

My daughter has become hung up on death, which is a common condition for people raised in Queens. It is not only the home to the Boulevard of Death, but it’s also the borough where you can’t throw a rock without hitting someone’s grave (just one more reason why you shouldn’t throw rocks around like that).

When she was still a tiny thing, I would often take her on strolls through a cemetery a block from our house. It was a quiet, shady, peaceful place in a neighborhood short on all those commodities. I’d push her around in her stroller up a steep hill, passing the graves off Civil War veterans, allegedly loving parents (no empirical evidence provided), and entreaties to the Great Hereafter in several dozen languages. At the cemetery’s highest point, you could see Manhattan flicker in the distance, a testament to all that mankind could accomplish, while we were surrounded by a reminder of where we all end up.

It could be this early exposure to headstones and such made her curious about The Grave. It could be she’s just inclined in a morbid direction; she already enjoys “scary” stuff and has a precociously completist fondness for Harry Potter. Or, perhaps she was marked sent scurrying in this direction by a sad scene we both witnessed nearly two years ago.

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