All posts by Matthew Callan

Scratchbomb’s Thoroughly Compromised 2011 MLB Preview: AL East

BALTIMORE ORIOLES

2010 record: 66-96

Biggest offseason acquisition: Vladimir Guerrero, still owner of the ugliest/most beautiful swing in baseball.

Biggest offseason loss: Kevin Millwood is pretty much it. I remember him from his Braves days, when he would consistently murder the Mets. That was a long time ago. I am old.

Can this mix of young talent and spare parts finally put the Orioles over the top?: Yes, right over the top and back to the bottom.

Best name on 40-man roster: Rick VandenHurk, ex-Marlin and current Dutchman. Sounds like a nickname for the “hero” in Space Mutiny.

The That Guy’s on This Team? Award: A tie between Guerrero and Derrek Lee. I imagine they each eyed the other first day of spring training and shared an unvoiced “So it’s come to this, has it?”

Spring standout: Zachary Britton, who’s only given up one run in 14 innings so far. The gulf between his performance and other potential starters is not small, to put it kindly.

Probable Opening Day starter: Jeremy Guthrie, who’s pitching to an ERA of 6 this spring. Sure, why not?

Biggest question for 2011: Do the Orioles have what it takes to finish in first in the AL East, non-Yankees/Red Sox/Rays division?

Strengths: Beloved ballpark, John Denver singalongs

Weaknesses: Civic dysfunction symbolic of the abandonment of the American city in the 21st century

Semi-serious assessment: The Rays have showed it’s possible to compete with New York and Boston, but there’s only so much room at the top. I like the low-key moves the Orioles made, and these plus their core of young talent means that they’re nowhere near as bad as their reputation. This is not a horrible team. Unfortunately, in the AL East, Not Horrible = 4th place at best.

Continue reading Scratchbomb’s Thoroughly Compromised 2011 MLB Preview: AL East

Great Moments in Book Covers

I literally found this book in the street outside my house, next to a tree that was cut down by the city for being infested with bugs and close to collapsing. I immediately decided it had the best cover ever, and I’m sure you will, too.

I looked up this author and apparent s/he specializes in writing holiday/event-themed murder mysteries. None have a cover this majestic, however. Would that I could track this artist down, but they are not credited anywhere in the book. Perhaps it’s just as well, for what work of art could ever top this? Go out on top, I say. I salute, sir or madam, wherever you are.

Parental Musicology

When I was a little kid, like 5 years old, my mom had this habit of asking me who was playing on the radio. Eventually I figured out that whenever she asked me this, the answer was invariably The Beatles. So she upped the ante by asking me which Beatle wrote the song.

“C’mon, you gotta know this is Paul!” she’d say. “Listen to all the different parts that are in it. It’s like a suite!”

I didn’t quite appreciate such nuances, the differences between Paul’s symphonic ambitions and John’s love of more traditional rock and roll. But to be fair, I was 5.

In this grand tradition, I often play a song for The Baby and ask her who it is. Not so much because I think she’ll know the answer, but because it’ll introduce her to stuff that I think is great. I have no illusions of turning her into a music snob at her young age, but I like putting her in a Cloud of Information, the idea being that at the very least, she’ll have a lot of information rattling around in her little brain and can one day do crossword puzzles with it.

Usually, the “instruction” is little more than me telling her who performs a particular song. Like the time Led Zeppelin’s “Heartbreaker” came on the car radio and I informed her of the responsible party. “That guy sings crazy!” she said. Yes, he does.

My dad did something very similar to me–unconsciously, I think. He liked to watch British comedy on PBS a lot, and I joined him on occasion. Much of the humor flew straight over my head for reasons of vocabulary, historical context, and foreignness. So I’d ask him to explain a joke to me if I didn’t get it, which he invariably would, even if there was no way on earth I should have understood it. I’d do the same thing with Mad Magazine Super Specials, which often contained reprints from 10-15 years earlier, lampooning people and movies from before I was born. That’s how I could come up with a good zinger about Edward Heath or Spiro Agnew by age 8.

Recently, we were driving home from somewhere and had just parked the car. The radio was playing Frank Sinatra’s version of “I’ve Got You Under My Skin.” So I tried to give The Baby a two-tiered, family-themed music lesson. I explained that this was one of Nanny’s (my mom’s) favorite songs, since she was a big fan of Cole Porter. And I also explained that the guy singing it was my Nanny’s (her great-grandmother’s) favorite singer. It was an attempt to both school on what she was hearing and give her some familial context for why the song struck a chord with me.

From the backseat, she gave me this puzzled look. “I like rock and roll music,” she said, simply, emphatically.

Long pause. “Yeah, I like it, too,” I said, and we went home. There’s plenty of time for more nuanced lessons.