Tag Archives: wfmu

Soundtracking

I think I’ve mentioned this before, but writing a novel is kind of hard. One the main reasons it is so hard is the time needed to complete it, time that can be spent in so many ways that don’t involve sitting at home by yourself in front of the computer screen. Not to mention that simply being at a computer screen offers so many distractions. I’m constantly worried that I’m “missing” something on Twitter; breaking news about the Mets, perhaps, which I am semi-professionally obligated to keep on top of, or perhaps a hilarious meme that cries out for my contributions.

One of the biggest enemies of novel writing is lack of focus, be it internet enabled or just the wandering of mind that tends to happen when you have to do one thing and one thing only. My biggest problem is I’m a multitasker by nature. I find it extremely difficult to work on one single thing when I have ideas for a dozen others, all of them vying for headspace. When it comes to shorter nonfiction stuff, there’s nothing necessarily wrong with working on more than one project simultaneously. But that method is deadly for fiction writing in general and novel writing in particular.

Colson Whitehead (whose novels The Intuitionist and John Henry Days are in my own person canon) wrote a great piece about this a few years back for the Times, “What To Write Next.” The intent was humorous, but even more so than the jokes, what struck me about the piece was its subtext: The writer’s fear that you’re toiling away on one thing when you can and should be working on something else, an impulse that can prevent you from doing anything at all.

An excellent way to combat this lack of focus is through music. I’m far from the first person to point this out, but I feel compelled to share my thoughts anyway, as I owe a debt to all the music I listened to while writing this book. I know I wouldn’t have been able to do it without clasping headphones to my dome and letting music push the outside world away for a while.

I found listening to albums (remember those?) helped the most. A complete album–a good one, anyway–immerses you in a universe, which helps you focus your energies and attention for the running time and hopefully beyond. The albums I listened to most often while writing Love and a Short Leash were:

  • Miles Ahead, Miles Davis
  • Double Nickels on the Dime, The Minutemen
  • Mikal Cronin S/T
  • David Comes to Life, Fucked Up
  • Under the Bushes, Under the Stars, Guided By Voices
  • Get Happy!, Elvis Costello
  • Singles 06-07, Jay Reatard
  • The Tyranny of Distance, Ted Leo and the Pharmacists
  • Melted, Ty Segall
  • Murmur, R.E.M.

In addition to these records, I also got sucked into various boots of Petit Wazoo/Roxy and Elsewhere-era Mothers of Invention shows (1972-1974). I can’t quite explain why; I listened to a ton of Frank Zappa in high school and college, but only rarely since then. This was an addiction I thought I’d conquered. Whatever the reason, my desire to listen to this music again reemerged right when I was finishing up my final draft, and I’m glad it did. I found the funk-and-jazz charged jams of this era of Frank Zappa’s oeuvre to be helpful for this particular stage of my toil.

I found that commercial radio doesn’t help me all that much, with its incessant breaks and complete lack of imagination, but listening to WFMU definitely did. I did most of my work on the weekends, and the Saturday afternoon block of Michael Shelley, Fool’s Paradise with Rex, and especially Terre T’s Cherry Blossom Clinic powered me through many marathon writing sessions.

To honor this debt, I wanted to share a playlist of songs that were often drilled into my ears when writing the novel. Some have particular resonance for reasons related to novel’s plot/subject matter, some are mood setters, and some are just bitchin’ tunes. I’ve arranged them in an order that helps my own process: Get pumped up, settle in, shot of energy, scale back again, repeat. I’m not sure if this will be instructive to anyone or if it really shares anything except a glimpse into my weird headspace. But hey, you get some rad tunes, so shut your noise. Playlist available here, deets after the jump.

Continue reading Soundtracking

My Annual Plea

I've used this pic four years running, and if it was good enough for 2008, dagnabbit, it's good enough for 2012

Every year around this time, I entreat you, the Scratchbomb reader, to consider donating some funds to WFMU, the Fun 91, the Freeform Station of the Nation. That time is upon us again.

WFMU does not get any money from the government (federal, state, local, what have you), nor does it get any money from corporations. It also refrains from constantly begging for money throughout the year a la PBS. WFMU has but one two-week pledge marathon that raises the bulk of their operating costs for the year. That is why it is crucial to add your support at this time.

I don’t know if you’ve noticed, but radio in the New York area is bad. Like, really bad. Atrocious, one might say. For a city that likes to think it’s the Center of Everything, particularly when it comes to the arts, New York’s radio stations are unlistenable, robotically programmed swill. WFMU is an island of goodness amid this raging sea of garbage.

Because they are not owned by some huge Conglomco, and because they are not beholden to any taskmasters governmental or corporate, WFMU gets to do whatever the hell it wants (within FCC confines, of course). I don’t love everything I’ve ever heard on WFMU, but I do love the fact that all of it is made by real humans who love music and radio, which definitively cannot be said for everything else on the airwaves.

I first started listening to WFMU well over a decade ago. A roommate turned me on to Terre T’s Cherry Blossom Clinic, which was exactly the kind of punk/garage/glam show I’d been searching for my entire life to that point. I made my first WFMU donation to her show when I was still powerfully, crushingly unemployed, because I believed in it that much, and if I couldn’t share what little money I had with something that made me that happy, well, what was the point of money anyway?

I still love Cherry Blossom Clinic and listen every Saturday I can; in my push to complete my novel over the last few months, I probably wrote 75 percent of it listening to Terre T. And so I feel somewhat indebted to WFMU for providing me with a soundtrack to my industry.

WFMU is also home to The Best Show, which is not only one of the funniest things humans have ever done, but which would be impossible on any other station. To do the kind of humor that Tom Scharpling does on that show–be it sparring with callers, chatting with guests, or performing comedy with Jon Wurster–requires large swaths of time that other spots on the dial would never allow in a million years. Even if you don’t listen to The Best Show, chances are you enjoy some form of comedy that has taken inspiration in some way from The Best Show. (SNL, for instance, counts many Friends Of Tom among its writers and performers; peep Bill Hader’s t-shirt in this video for visual evidence thereof.) That alone makes it, and WFMU, worthy of your attention.

I’ve volunteered for WFMU events for last few years and it is always a joyous experience. I am not blessed with a huge amount of free time, but I make time for WFMU, because being a tiny piece of what makes it happen is so rewarding. For instance, two years ago, I got witness this bit of amazingness–a Nerd-Off between John Hodgman and Patton Oswalt–live and in person.

My wife and I will be assisting in The Best Show’s first marathon program this evening. We will also be donating funds in addition to our time, and if you have any change to spare, I urge you to do the same. If you can part with 5 bucks, I assure you it is appreciated. I’ve manned the phones at the marathon and received pledges at that level, and I can promise you that every little bit helps.

However, if you care to listen during tonight’s show (which will feature special guests Ted Leo and Julie Klausner) and care to donate $75 or more, you are entitled to the Hammer of the Gods Best Show Demon Summoning Pack, which includes:

  • A Best Show magazine with contributions from such luminaries as John Hodgman, David Rees, Robert Popper, Michael Kupperman, and more, plus an interview with Michael Nesmith and many other awesome tidbits and treats.
  • A flexidisc with an exclusive song from Kurt Vile
  • A CD of brand new comedy from Scharpling and Wurster.
  • A free download of the audio from last year’s Radiovision Conference panel, featuring Tom, Marc Maron, and Ira Glass.
  • A new Best Show sticker! A Vance the Puppet stressball! Some other stuff, I bet!

If all of that ain’t worth $75, I don’t know what is.

High rollers can donate more and get premiums from other DJs, which are always fantastic; the premium CDs from Terre T, Rex, and Evan “Funk” Davies always contain some amazing vinyl finds you simply can not get anywhere else. Think you can just get anything from anywhere in our digital age? You are completely wrong, and WFMU’s DJ premiums prove it every year.

I believe I’ve made made my case. This concludes my annual plea on behalf of WFMU, one of my favorite things in the world, until next week when I bug you again during Marathon Week Two.

TomThon Part Two: Nerds in Paradise

This is a friendly reminder that the second installment of TomThon takes place tonight. If you have not yet pledged some cash to keep the freeform station of the nation on the air, now is the chance. If you have pledged already, you are awesome. Maybe you can be even more awesome and dig a little deeper? Give it some thought.

Last week, I gave everyone a litany of reasons to donate funds to WFMU. I won’t repeat all of those points, though if you want some more, Julie Klausner posted her own reasons for donating at Gothamist. But I will reiterate why you may want to donate during tonight’s installment of The Best Show on WFMU. A mere $75 dollars will not only get you some great swag from the station itself, but also:

  • A Best Show poster drawn by legendary comic artist Charles Burns (Black Hole, Dog Boy)
  • The amazing Wu-Tang-esque Best Show t-shirt seen here
  • A 7″ called “Rated G.G.,” containing cleaned-up versions of G.G. Allin songs performed by Ted Leo, Fucked Up, Ben Gibbard, and many more
  • A digital download of said 7″, which also includes not only the single’s contents, but some ultra-rare material from Scharpling & Wurster, among others

For TomThon Phase One, host Tom Scharpling gave away some amazing random prizes, too, such as a Monty Python DVD boxed set signed by Terry Gilliam. If you donate this week, you will be in the running to win prizes that are just as fabulous. What could possibly be as fabulous? How about:

  • A single and LP signed by Conan O’Brien
  • A copy of I Am America signed by Stephen Colbert
  • Books signed by Chris Elliott, PLUS a copy of Daddy’s Boy signed by both Chris AND Bob Elliott

As if this wasn’t enough, there will be other fantastic giveaways autographed by tonight’s in-studio guests. That includes Mr. Leo and Carl Newman, who will stop by the studio for the second week in a row for your musical enjoyment. They will be joined by songsmith Kurt Vile and wordsmith John Hodgman, and I’m sure all of them have awesome things planned for the event.

What if you can’t actually donate during the show for some reason? Just email toms@wfmu.org with your pledge. You will be in the running for any and all prizes given away during the show. Sound good?

I did some phone slaving this weekend at the WFMU studios, and trust me when I say that every donation is welcomed. I took more than a few $15 donations, and if that’s what you can spare, it is more than appreciated. Altogether, we raised over $11,000 for Terre T’s awesome show. Every little bit helps.

Tom has also issued a challenges to see who can get the biggest celebrity to RT this event on Twitter. I’m just throwing this out there on the off chance that I have any big shots who frequent this site. Or, maybe you’re a regular schmoe reading this site who knows some big wigs yourself, in which case you could get them to RT and win said challenge. By all means, do it. That way, we all win.

And again, if you can’t spare cash, spare some time to spread the word on Twitter, Facebook, your blog, any message boards you frequent, random telephone poles, whatever. It all helps.

Tune in, turn on, and turn out (your wallets), tonight at 9pm. DON’T STOP NOW.