Tag Archives: thanksgiving

Slice of Turkey: Phyllis Diller, 1986

As I said in my inaugural post for this series, when I was a kid, non-balloon segments during the Thanksgiving Parade would often send me scurrying away from the TV with sense of cringey embarrassment. This was particularly true if the person appearing on my screen was going to belt out a song, or if they were somebody I’d never heard of, or both. The sight of this cleared the living room faster than the opening theme to M*A*S*H (which to Kid Me represented the pinnacle of adultness/kid kryptonite).

Which means that, in all likelihood, I never saw the segment below when it happened. In fact, I’m positive I didn’t, because if I had, I think my brain would have boiled and poured out of my ears out of sheer mortification. It features Phyllis Diller as Mother Goose, for some reason. Look: Phyllis Diller was a trailblazer, a very first successful female comedian at a time when Joan Rivers was basically the only other woman standup. (Yes, I know there were more, but as far as nationally famous ones, that was pretty much it.) She was on Scooby-Doo in animated form! Who else can say that, other than Jonathan Winters and Batman?

What I’m saying is, she deserves to be judged on her finer accomplishments, which are not on display here. Her delivery suggests someone who either does not know her lines or is highly medicated, or both. Even accounting for this, many elements of the bit seem as if they were constructed purely to embarrass her.

As with many Thanksgiving parade non-balloon segments, the number of items that make no sense in this clip are legion. To wit:

  • Why is Diller’s rhyme as Mother Goose sort-of dirty? Isn’t this supposed to be for kids?
  • Why were the cue cards situated at an odd angle from Diller? Couldn’t they have just put them to the side of the camera and spare this poor woman the effort of craning her neck, not to mention the embarrassment?
  • Why is Pat Sajak “surprised” about her being Mother Goose, like she’s just parachuted onto the scene? What purpose does this “confusion” serve?
  • Why is Sajak delivering his lines as if he just swallowed a fistful of downers?
  • Why are cast members of Another World shoehorned into this segment? Or Victoria Jackson, for that matter? (Ironically, nowadays Jackson sounds a lot like Diller did back then.)
  • What is it about the Hickory Dickory Dock segment that sends Diller over the brink of insanity?
  • Why does she suddenly want to be Cinderella? Why is she dragged off the “stage” Sandman Sims style? You just set her up to fail, didn’t you? DILLER HAS BEEN FRAMED!

The quality of this clip leaves much to be desired. However, the historic nature of this live TV meltdown demands that it be shared nonetheless.

Slice of Turkey: Cabbage Patch Kids, 1984

I genuinely love the annual Macy’s Thanksgiving Day Parade. I’ve always made sure to watch a healthy portion of it each year, and do so especially now that I have a child who is still amazed by enormous floating balloons. The parade is, however, undeniably ridiculous, particularly the float/performance segments that occur throughout the presentation. They seem to originate from some alternate universe where musical tastes evolved and we kept developing pop stars in various media, yet Broadway musicals remained the most popular form of expression and those musicals ramped up the camp factor a good 25 percent.

When I was a kid, I found these interludes so cringe-inducing I’d have to leave the room. “And now, here to sing a number from the revival of ‘Carousel’….” boom, I was gone. The nightmare scenario came when something I kid-loved was featured in one of these segments, because I felt compelled to watch it even though I knew it would be horrifying. For instance, Spider-Man and other super guys from the Marvel Universe fake-punch each other to the tune of “I Need A Hero.”

As an adult, however, I find these things hilarious. And so I’d like to present a Thanksgiving advent calendar of sorts by highlighting many such segments from the days of yore. This inaugural edition comes from the 1984 parade and features a float dedicated to that year’s hottest toy, the Cabbage Patch Kids. Remember when moms almost murdered each other to bring one home for their ungrateful children? That was fun. I’m pretty sure Cabbage Patch Kids were the first toys that people wanted so badly they literally beat the shit out of each other, so naturally they are recalled quite fondly these days.

In this bit, Tim Conway talk-sings about these lovable scamps, although many of his “lyrics” don’t sound remotely flattering. The animation of the Cabbage Patch Kids appears much better than I would think would be possible for the time, but their semi-articulated mouths in the middle of ginormous heads are still horrifying.

Then, some kind of evildoer who sounds kind of like a decrepit Baby Bob emerges, trailed by some other ne’er-do-wells who want to rid the world of Cabbage Patch Kids for typical Bad Guy Reasons. Tim Conway looks more fed up than annoyed by this turn of events. (“Great, now what?”) A Cabbage Patch Kid in an army helmet emerges, and he delivers one swift kick to the rear of the main bad guy, which is plenty to send them packing. It concludes with a fiddle solo from Conway and a few tidy dance moves too because, dammit, that man is a professional. You don’t become a cast member of The Carol Burnett Show for 800 years without being a showman.

But above all, I think my favorite part of this video is the fact that the float is lugged along by an ordinary, unadorned Dodge station wagon. I feel like some manager at Macy’s had to ask a maintenance guy to borrow it. “Hey man, can we ‘steal’ your truck for the weekend? Just need to move some lovable moppets with huge heads and Tim Conway. Don’t worry, we’ll gas ‘er up.”

Following the Cabbage Patch Saga, you can see longtime Broadway staple Kaye Ballard sing “Home for the Holidays,” followed by an appearance by the Raggedy Ann balloon. Upon further reflection, I think I may have been at this parade. One year the whole family went to watch it in person, en route my grandparents’ house in Queens. My littlest brother had a Raggedy Andy doll he carried everywhere at the time, and when he saw this balloon bobbing down Fifth Avenue, he lost it. THEY’RE STEALING MY DOLLY! he howled, even though he was clutching his own doll at the time. Did we ever let him forget this, despite the fact that he was two years old when he said it? What do you think?

Bonus! Here’s a bank of commercials from this broadcast, including an odd Timex ad that I recall, some high quality plastic watches, and a G.I. Joe trucking set (?). I think this last thing is the G.I. Joe equivalent of R.O.B.

Ghosts of Thanksgivings Past: Marvel Floats

As a kid, the highlight and lowlight of every holiday season for me was the Macy’s Thanksgiving Day Parade. It was the highlight because, duh, huge balloons. It was the lowlight because, even to a child, it had some truly cringe-tacular moments.

For some strange reason, the Macy’s Thanksgiving Day Parade has always (or at least always in my lifetime) simultaneously tried to appeal to both kids and Broadway aficionados. Why did they try to do this? I don’t know, because Times Square is sort of close to Herald Square? Makes as much sense as any other explanation.

They also tried to shoehorn various celebrities into the festivities. Some were established, or at least recognizable. Some were clearly being foisted on the show by some agent hoping to establish a client. (If a singer was “performing” his/her “smash hit single”, it was a virtual guaranteed said single hadn’t even been pressed yet.)

Regardless of their status, said celebrity would probably be inserted into some sort of float or setpiece in which their presence was superfluous at best. And often asked to sing, even if (often especially if) they were not known as a singer. (“Here to perform a medley from Damn Yankees, please welcome Abe Vigoda!”)

This was extremely frustrating to a little kid. When you’d see the opening credits for the Parade and see something you loved teased as coming up soon, naturally you thought that said thing would be presented in a form you loved. If you were told Masters of the Universe would appear, you assumed they would resemble the cartoon you watched every day. You didn’t expect guys in weird, foamy costumes fake-sword fighting on a 15-foot float.

In that spirit, I present this video from the 1989 (first captured and shared with the world by the excellent X-Entertainment.com, which has a plethora of Thanksgiving Parade videos and period commercials as well). It features a float by Marvel Entertainment, full of all your favorite Marvel characters, and of course Melba Moore too, because…huh?

Ms. Moore sings “I Need a Hero,” addressing many of the lyrics to Captain America and Spider-Man (who’s too busy crouching to pay her much attention). She had a few hits in the 1980s. “I Need a Hero” was not one of them. This is something the Parade is notorious for doing, having some random person sing a random song in a random setting, thus assuring that everyone involved looks intensely uncomfortable.

Compared to some performances I’ve seen, Moore is in Laurence Olivier territory. She’s game enough to get caught in web-type-thing and climb through a manhole. But no one else has much room to maneuver, and the Marvel heroes and villains don’t fight so much as they lightly tap each other and shift from one foot to the other. The Hulk in particular looks like he doesn’t know what to do with himself.

By the end of the video, everyone is bopping along to the beat, regardless of affiliation. You can see both Doctor Doom and Luke Cage rockin’ out as the song fades away. Moore has united them all with her R&B song stylings.

Weird? Of course, but no weirder than the Marvel float from 1987, which did not include Moore or any other practitioners of the quiet storm arts. It was just a lot of low-impact aerobics, featuring the exact same float seen above, most of the same heroes, and the soundtrack from Back to the Future.

Captain America is prominently featured, as he saves Wolverine from being shoved by bad guys, zaps Doctor Doom to death, and briefly passes by RoboCop without comment (and before you say RoboCop wasn’t part of the Marvel Universe, he was, smart guy). 

Two things that confuse me more than the presence of RoboCop: Why does Dr. Strange look like Frank Zappa, and why is The Hulk a bad guy?