Tag Archives: novel

Literary Endeavors

Hang A Crooked Number: Now At Insultingly Low Prices!

cover_art_insideHey there, cheapskates! Perhaps you’ve considered purchasing a copy of my book Hang A Crooked Number—guaranteed to be the year’s best novel about baseball, spies, and failure—but balked at its retail price. Personally, I believe $2.99 is more than reasonable for a full-length novel written by one actual human, but I also recognize that ideas about what constitutes “reasonable price” has changed considerably in our modern age, what with all the computers and hula hoops and fax machines. I also recognize that nobody knows who the hell I am and thus may need extra incentive to drop any amount of cash on my weird ideas.

So, for a limited time, I am slashing the price on my novel. From now through November 15, Hang A Crooked Number can be yours for the frankly insulting price of 99 cents. This is literally the least amount of money I can charge for it without making it free altogether. (I have just enough dignity to not do that.)

If you want a better idea of what 99 cents buys you, check out excerpts of the novel at Stymie Magazine and The Classical.

If that does it for ya, you can purchase Hang A Crooked Number for the low, low, insanely low “price” of 99 cents at Amazon, Apple, Smashwords, or sort-of direct from me in either epub or PDF form.

Remember: If you likes what you read, I’d sure appreciate it if you’d leave a star-filled review on Amazon or Goodreads. I know, I’m asking you to leave a review after you paid a whole 99 cents for this book. A thousand pardons, sirrah, but I need the scraps from your table to survive. Please take pity upon me, a lowly beggar.

Literary Endeavors, Shameless Self Promotion

Hang A Crooked Number: Available Now

cover_art_inside
Cover art by Tony Morais

I wrote a novel called Hang A Crooked Number. It is about a world where baseball is an elaborate front for the operations of a domestic intelligence organization called The Moe Berg Society. It is narrated by a minor league recruit who is mired in a horrific slump on both sides of his work, unable to work his way to the big leagues as either a hitter or a spy, while being caught between rival factions fighting for control of the organization. It’s about some other things, too, but we’ll start there. And it has serious parts and funny parts (parts I intended to be serious and funny, anyway). I’m letting you know about this because I think some people might like it.

As this novel made its final steps to becoming a Real Live Book, my first impulse was to write a huge post detailing its journey from idea to reality, why I took so long to write it, commentary on those Other Things alluded to above, the evolution of my thoughts about fiction in particular and writing in general…

I wrote this very lengthy post, more to remind myself of the journey this novel took from the time when the idea first came to me. Then I crumpled up that post and tossed in the trash, because it would be of no interest to anyone outside of my head. Maybe you’d care about how long it took me to write this novel or what I went through in the intervening years if I was Some Important Author, but I ain’t. Last time I checked, I was known (if at all) as a semi-pro enthusiast of Edgardo Alfonzo, Action Park, and Steampipe Alley. You are well within your rights to not give a shit about my “process.”

Furthermore, I shouldn’t attempt to explain a piece of work whose primary function is to explain itself. I’m reminded of something Elvis Costello once said during a live show: “People are always asking me, ‘What does that song mean?’ If I could have said it in a way other than how I said it in the song, I would have written another song, wouldn’t I?”

So, though brevity is not my strong suit, I will keep this as short and sweet as I can:

Hang A Crooked Number is now out in the world, available to eyes that might enjoy a novel about baseball and spies and some other things. If you believe you own such a set of eyes, it can be purchased at Amazon, iTunes, or Smashwords for the ridiculously low price of $2.99. (Other retailers to follow.) I figure that’s plenty cheap for anyone to take a chance on a novel about spies and baseball written by Some Dude. If you are fortunate enough to own an ebook reading device yet consider $2.99 too much to spend on an ebook, all I can say is good luck to you, sir or madam.

If you do take a chance on this novel and find you like what you read, leave a nice review on Amazon and tell a friend. Leave something nice up on Goodreads, if that’s a thing you do. Tweet or Facebook about it. Every little whisper helps. I’m just one person without any sort of machine working for me, so this is how more eyes will get a chance to read it. That is all I want and all I can want.

Thank you.

Literary Endeavors, Tuneage

Soundtracking

1 Comment

I think I’ve mentioned this before, but writing a novel is kind of hard. One the main reasons it is so hard is the time needed to complete it, time that can be spent in so many ways that don’t involve sitting at home by yourself in front of the computer screen. Not to mention that simply being at a computer screen offers so many distractions. I’m constantly worried that I’m “missing” something on Twitter; breaking news about the Mets, perhaps, which I am semi-professionally obligated to keep on top of, or perhaps a hilarious meme that cries out for my contributions.

One of the biggest enemies of novel writing is lack of focus, be it internet enabled or just the wandering of mind that tends to happen when you have to do one thing and one thing only. My biggest problem is I’m a multitasker by nature. I find it extremely difficult to work on one single thing when I have ideas for a dozen others, all of them vying for headspace. When it comes to shorter nonfiction stuff, there’s nothing necessarily wrong with working on more than one project simultaneously. But that method is deadly for fiction writing in general and novel writing in particular.

Colson Whitehead (whose novels The Intuitionist and John Henry Days are in my own person canon) wrote a great piece about this a few years back for the Times, “What To Write Next.” The intent was humorous, but even more so than the jokes, what struck me about the piece was its subtext: The writer’s fear that you’re toiling away on one thing when you can and should be working on something else, an impulse that can prevent you from doing anything at all.

An excellent way to combat this lack of focus is through music. I’m far from the first person to point this out, but I feel compelled to share my thoughts anyway, as I owe a debt to all the music I listened to while writing this book. I know I wouldn’t have been able to do it without clasping headphones to my dome and letting music push the outside world away for a while.

I found listening to albums (remember those?) helped the most. A complete album–a good one, anyway–immerses you in a universe, which helps you focus your energies and attention for the running time and hopefully beyond. The albums I listened to most often while writing Love and a Short Leash were:

  • Miles Ahead, Miles Davis
  • Double Nickels on the Dime, The Minutemen
  • Mikal Cronin S/T
  • David Comes to Life, Fucked Up
  • Under the Bushes, Under the Stars, Guided By Voices
  • Get Happy!, Elvis Costello
  • Singles 06-07, Jay Reatard
  • The Tyranny of Distance, Ted Leo and the Pharmacists
  • Melted, Ty Segall
  • Murmur, R.E.M.

In addition to these records, I also got sucked into various boots of Petit Wazoo/Roxy and Elsewhere-era Mothers of Invention shows (1972-1974). I can’t quite explain why; I listened to a ton of Frank Zappa in high school and college, but only rarely since then. This was an addiction I thought I’d conquered. Whatever the reason, my desire to listen to this music again reemerged right when I was finishing up my final draft, and I’m glad it did. I found the funk-and-jazz charged jams of this era of Frank Zappa’s oeuvre to be helpful for this particular stage of my toil.

I found that commercial radio doesn’t help me all that much, with its incessant breaks and complete lack of imagination, but listening to WFMU definitely did. I did most of my work on the weekends, and the Saturday afternoon block of Michael Shelley, Fool’s Paradise with Rex, and especially Terre T’s Cherry Blossom Clinic powered me through many marathon writing sessions.

To honor this debt, I wanted to share a playlist of songs that were often drilled into my ears when writing the novel. Some have particular resonance for reasons related to novel’s plot/subject matter, some are mood setters, and some are just bitchin’ tunes. I’ve arranged them in an order that helps my own process: Get pumped up, settle in, shot of energy, scale back again, repeat. I’m not sure if this will be instructive to anyone or if it really shares anything except a glimpse into my weird headspace. But hey, you get some rad tunes, so shut your noise. Playlist available here, deets after the jump.

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