Tag Archives: kids shows

Boob Tubery, Parental Guidance

Adventure Time: Another Peak of Kid-Show-Dom

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adventuretime.pngI believe we are in the midst of a Kids’ Show Golden Age. Granted, I often bitch about children’s fare on this site, but that’s the product of having to watch the same damn shows over and over, the accursed Groundhog’s Day scenario that afflicts all parents at some point. Regardless, when I was a little shaver, there was virtually nothing but garbage on TV kids. Nowadays, there are some bonafide masterpieces aimed exclusively at children.

I’ve written in the past of my love for Flapjack, Phineas and Ferb, and Yo Gabba Gabba (easily the best toddler-oriented TV show ever, non-Sesame Street edition). All of these shows have a certain amount of anarchic weirdness that can tickle the funny bones of both kids and adults. I wrote about them because I fear adults without little kids in their lives may miss out on treasures like these that would be right up their alleys. And I am doing so again, because I have recently discovered a show that can easily stand among these giants: Adventure Time.

Adventure Time, which debuted on Cartoon Network about a year ago, stars Finn, a young lad who longs to be a hero, and his best friend, Jake, a magical dog (voiced by John DiMaggio, better known as Bender on Futurama). Together, they roam the enchanted land of Ooo fighting all manner of evil.

Most of the plots revolve around Finn and his strict, self-applied codes of honor and chivalry, coupled with Jake’s love of doing nothing at all. Such as an episode in which Finn vows to rescue a little girl’s stolen flowers from the infamous City of Thieves, even though he is warned repeatedly by an annoying old crone that no one can enter the city and not become a thief. While Finn valiantly tries to rescue the flowers as they are literally being stolen anew every two seconds, Jake dives right into the city’s thieving ways, swiping a sweet pair of boots, just because.

Tellingly, Adventure Time was created by a former Flapjack animator, Pendleton Ward. It shares with Flapjack a crazed energy, warped universe, and unique style. Finn and Jake’s limbs wobble and extend at will, almost like ancient Disney cartoons. The landscapes through which they travel are just as mutable, liable to change at a moment’s notice. As Robert Lloyd put it in the Los Angeles Times, Adventure Time resembles “the sort of cartoons they made when cartoons themselves were young and delighted in bringing all things to rubbery life.”

In the context of the show, virtually anything can happen. New characters and wondrous lands are introduced in almost every episode, as befits a show that revolves around magic and adventuring, though there are recurring characters. Like the Ice King, an angry monarch with a penchant for kidnapping princesses. Or Lady Rainicorn, Jake’s girlfriend, a unicorn with a rainbow tail who speaks through a voice box interpreter (which usually only broadcasts in Korean). Or Marceline the Vampire Queen, who loves to play bass and hungers not so much for blood as the color red.

I should also mention that it is laugh-out-loud funny. Take, for example, an episode where Finn spares some sugar for a poor beggar who turns out to be a Magic Man. The Magic Man horrifies Finn and Jake by turning a bird inside out, then does Finn a “mystical magical favor” by transforming him into a giant foot. “Today a magical life lesson comes to you!” he insists, though the lesson itself is far from clear. Finn demands to be returned back to normal, but the Magic Man refuses–“Not until you appreciate what a jerk I am!”–and disappears in a burst of fireworks that spell out EAT IT.

I am also greatly amused by another episode in which Finn tries to help a whiny talking mountain who is upset because he is forced to watch a nearby town of “roughhousing marauders.” Finn tries to mute the bad guys’ roughhousing by tying animals to all of the bad guys, which only bothers the mountain more. (“That was terrible! Now the men are just punching animals!”) You won’t soon forget the sight of tough guys with mice and cats strapped to their fists punching each other.

I’m just scratching the surface here, and I also fear these descriptions make the show seem saner than it is. Adventure Time is straight-up bonkers in the best, most organic way possible. It can’t really be understood unless experienced, because it truly is an experience. It’s unlike almost anything else on TV, kid- or adult-oriented. It could definitely slot into the Adult Swim lineup, alongside Aqua Teen Hunger Force et al, and not seem out of place at all.

The show’s tone and philosophy is probably best understood by this bit of dialogue, which comes at the end of one episode where Finn and Jake had adventured their way into and out of trouble:

JAKE: Let’s never be stupid again.

FINN: No, let’s always be stupid–forever!

Parental Guidance, Tuneage

Where Nursery School Meets Loony Bin

As a parent, you realize very quickly that you’re going to have to watch a lot of crap on TV you really don’t want to. At first, it’s because you realize a certain program can calm down a hysterical baby or hasten sleepy-time. (For my kid, that certain program was Predator.)

Eventually, your child will develop his/her own tastes and want to watch the same movie or show over and over and over again. And thanks to DVDs and video on demand, it’s easier than ever before to indulge this OCD. Of course, none of this stuff is meant for your adult eyes/brain, but some of it grates on you more than others.

Like many preschool kids, The Baby went through a Caillou phase, which I believe she has finally outgrown (knock on wood). If you don’t have children, you have probably never seen this show and I suggest you continue to avoid it. Caillou is about a four-year-old bald kid who is an enormous weiner. I can’t think of a better word to describe this kid; “weiner” covers it, with its implication of profound uncoolness.

There’s nothing really wrong with the show in aggregate, but the character of Caillou drives me up the wall. He has a squeaky little kid voice with a pronounced Canadian accident. He is preternaturally well-spoken and well-behaved in a way that no four-year-old has ever been. And everything in the world must revolve around him. If you remember The Kids in the Hall sketches with Bruce McCulloch as Gavin, Caillou is like a slightly younger version of that.

Oh, and Caillou has songs. Almost all little kid shows do, but these songs feel slapped together, both lyrically and musically. Really slapped together. I think they were all written by Garth and Kat.

This clip below is a perfect example. I can’t remember why Caillou is singing about being in a rock and roll band, not that it matters. The song clearly takes longer to listen to than the composer took to write it.

And yet, when I heard this song, it struck a chord. It reminded me of something–not despite its threadbare intellect, but because of it. It rattled at the back of my mind for a while, searching for a connection, until it hit me like a bolt from the blue: It sounds exactly like Wesley Willis’ “Rock and Roll McDonalds”. Don’t believe me? Have a listen.

In case you don’t remember or were too young to catch him the first time around, Wesley Willis was a schizophrenic who rose to “fame” in the 1990s thanks to songs he made with Casio keyboard presets, which he used to drive away the “demons in his head” that would take him on “hellrides”. Some of his songs were about how much he loved music, some were about beating up superheroes, and some were obscene rants involving animals.

Of course, since every Wesley Willis song sounds exactly the same, you could say “Caillou’s Rock and Roll Band” resembles any of them. But I think this comparison is more apt than, say, “Eat a Panda’s Ass.”