Tag Archives: holiday triumphs

Holiday Triumphs: The Pee-Wee Herman Show on Broadway

Continuing the fabled tradition begun all the way back in 2009, Scratchbomb presents Holiday Horrors and Holiday Triumphs: an advent calendar of some of the more hideous aspects of this most stressful time of year–with a few bits of awesomeness sprinkled in.

peeweeshow.jpgNo one’s ever asked me for life advice because, I mean, c’mon. But if they did, I’d say this: Spend your money on experiences, not things.

Things break. Things fade. Things fail. But experiences can not be replaced and can not be taken from you. I’ve regretted purchases of things (more than I care to admit), but I’ve never been sorry I spent money on an experience. Even if the experience itself wasn’t what I expected, or fell short in some way, I can always take something instructive from it. And when an experience meets or exceeds your expectations, there’s nothing better. Whether it’s comedy or music or theater or a vacation, if you can afford the money and the time, do it.

Still, when I heard that Pee-Wee Herman was doing a Broadway show, I debated whether I should spend the dough. Broadway ain’t cheap, to the point where I had to really consider if the money would be worth it. What pushed me over the edge was 1) a number of friends/relatives who went and said it was great, and 2) The Baby.

As I wrote about not too long ago, The Baby loves Pee-Wee. One night earlier this year, for reasons I can’t remember, I thought she might like to watch Pee-Wee’s Big Adventure, and I cued it up on Netflix Instant. She got as far as the bathtub fight with Francis and said “I don’t like this movie!” So I turned it off, cursing myself for showing it to her too soon, thinking I’d poisoned her against Pee-Wee forever. But the very next day, much to my surprise, she asked to watch it. This time, she sat all the way through and laughed like
crazy.

For the next month, she wanted to watch nothing but Pee-Wee. I showed her clips of Pee-Wee’s Playhouse on TV and she loved that, too. One of my brothers bought her the entire series on DVD for her birthday, and she’s been watching them incessantly. My cousin got her a Pee-Wee action figure from 1988 on eBay, still in the package. It killed me to open it up, but I did so anyway, and she hasn’t slept without it ever since.

So considering The Baby’s obsession with Pee-Wee, and considering that Paul Reubens has never done a Broadway show before and is unlikely to do one again, I bit the bullet and pulled the trigger on a pair of tickets for a Sunday matinee. I was fully aware that disaster was an option. After all, The Baby is only 4 years old, and it’s always possible she could have a meltdown in the theater, or have to go to the bathroom 800 times, or just be bored. But I’ve been on a winning streak of late (brag) and I counted on that streak to continue for this outing.

I didn’t tell The Baby about the show beforehand, because she has no concept of time and you can’t tell her you’re going to something in a day or a week or a month. If she hears about some upcoming event, she will assume–and demand–that said event start NOW. So all I told her was that we were going on a super special “mission” to The City. (She likes to pretend to be a spy when we go out. So do I.) The only clue she had was me suggesting she bring her Pee-Wee action figure along for the trip.

It was raining and intensely windy this day. All I had to protect us was an umbrella too big for her little hands but which she insisted on carrying anyway. As we walked up Seventh Avenue, the wind took a hold of her umbrella and blew it up the sidewalk at a furious pace. We ran after it, and only a stranger walking in the opposite direction saved it from flying out into traffic.

I wanted to take her to a diner off of Times Square I’d always gone to with my dad, but the weather meant walking around for too long was a really bad idea. So I decided we’d just get lunch at the Heartland Brewery across the street from the theater. We scurried down the block and hid under the restaurant’s awning, shaking off the rain. As we did so I pointed to the marquee across the street.

“Hey, who’s that?” I asked her. She, of course, yelled ecstatically that it was Pee-Wee. That’s when I told her that we were going to see Pee-Wee do an extra special show on a stage, not a movie or a TV show, but in person.

“You mean he’s gonna be real?” she asked. When I said “yes,” she literally jumped up and down with excitement.

During lunch, I instructed her on the basic rules of theater going. “You can laugh and you can clap,” I told her, “but you can’t talk. If you have to tell daddy something, you have to whisper it. And once the show starts, you can’t leave your seat. So if you have go to the bathroom, make sure to let me know before the show starts.” She listened to and completely understood all of these instructions, which is an extremely rare occurrence.

Once inside the theater, I was genuinely surprised/delighted by the large age range of the attendees. People much older than me and people much younger than me. Kids coming with their parents, older than The Baby but clearly not being dragged along–I mean, kids 8 to 18 who were just as excited as my kid to be there, bringing their own Pee-Wee dolls and tin foil balls. I also saw one grown man dressed exactly like Pee-Wee, which wouldn’t have been that weird except that he had this air about him of wanting very much to be noticed as The Guy Who Dresses Like Pee-Wee. If it’s possible to stand still conspicuously, he was doing it.

The Baby sat in her seat and eagerly awaited curtain time. As I sat next to her and checked my phone, she angrily insisted I had to watch the stage. “The show’s gonna start!” she yelled, and literally pulled my face toward the still-silent stage.

Ironically, after I worried about her bathroom needs, it was me who had to make an emergency run. With six minutes until the show started, I made the executive decision to go to the men’s room to forestall any discomfort during the performance. The Baby made me promise we wouldn’t miss anything, so I literally ran down the stairs to the lounge area, carrying her under one arm, took care of business, and ran back up to our seats. Elapsed time: 90 seconds.

When the lights went down and Pee-Wee came on stage, I knew the tickets were worth every penny. I’ve never seen The Baby with a look of such pure, delirious joy. “It’s Pee-Wee!” she squealed, because she could barely believe it. She held out her action figure throughout the show so “Pee-Wee” could watch Pee-Wee. I wish I could have taken pictures of her, and yet, I didn’t need to, because I will never forget the look on her face at that moment.

She lagged at times, as would any four-year-old forced to sit in a dark theater for 90 minutes, and she was even scared at one part of the show when the lights went out in Pee-Wee’s playhouse. But overall, she had an amazing time, and I am so grateful I could share that with her. And since I bought the tickets, I guess I’m grateful to me. Thanks, me! Oh, and Pee-Wee for doing the show, I guess.

The next morning, on the way to school, she said apropos of nothing. “I can’t believe we saw Pee-Wee!” She told all her friends and teachers about the show, but they had little idea of what she was talking about. “They didn’t know Pee-Wee,” she said, with the annoyed sigh of someone who’s a little too hip for the room.

It’s the best Christmas gift I’ve ever given to anyone: an experience that she’ll remember for a lifetime. And also, the ability to feel vaguely superior to her classmates.

Holiday Triumphs: Phineas and Ferb Christmas Vacation

Continuing the fabled tradition begun all the way back in 2009, Scratchbomb presents Holiday Horrors and Holiday Triumphs: an advent calendar of some of the more hideous aspects of this most stressful time of year–with a few bits of awesomeness sprinkled in.

pnfxmas.jpgI bitch often on this site (and in other forums) about the crappiness of kids’ TV these days. Not that it was any better when I was young’un, but I’m exposed to a lot of junk thanks to The Baby. So when I come across something meant for children that isn’t total garbage, I must speak up and praise it. Phineas and Ferb is just such a show.

It’s about the titular brothers, super geniuses constantly devising impossibly fantastic new inventions. Their attempts to do so inevitably drive their older sister, Candace, up the wall, as she is typically embroiled in some sort of teenage girl drama.

Meanwhile, unbeknownst to anyone, Phineas and Ferb’s pet platypus, Perry, is actually a secret agent. He is charged with thwarting the evil schemes of Prof. Doofenschmirtz, the strangely accented super villain whose nefarious devices invariably end with “-ator”, whether they need to or not. Nearly every episode ends with Perry’s heroic deeds not only defeating the evil professor, but also incidentally tidying up Phineas and Ferb’s exploits, just in time for the boys to not get caught by their parents, thus driving Candace even crazier.

Nearly every show follows this basic outline, but Phineas and Ferb is a breath of fresh air in kids’s shows. It’s way more clever than it needs to be, has plenty of gags for the adults in the room, and makes me laugh out loud more than any other current cartoon not named Flapjack.

Example: In one episode, Doofenschmirtz invents a sea vehicle he calls the Buoyant Operated Aquatic Transport. “I call it the BO-AT!” he exclaims proudly, seemingly oblivious to what the acronym spells–or the fact that his invention looks and operates exactly like a boat. And later in the same episode, while driving his BO-AT, he comes across the local town’s Metropolitan Oval Aquatic Trench and says “Oh, a moat, I get it!”

So when I found out that there was a Phineas and Ferb Christmas special, I actually asked The Baby to watch it with me, rather than the other way around. I was not disappointed.

When the special opens, Phineas and Ferb are plotting, as usual. They want to turn their entire town into a giant Thank You Card for Santa Claus, using lights. Meanwhile, Perry invades Doofenschmirtz’s headquarters and finds out that he has received a Naughty-inator from a distant relative. It can release a mist into the air that can render an entire town ‘naughty’ and therefore undeserving of presents. The only problem: Doofenschmirtz hates every single holiday but Christmas, for which he possesses “a deep, burning apathy.”

The Professor changes his mind when a choir of annoying carolers shows up at his door and won’t leave until they get some figgy pudding. Driven insane by their incessant singing of “We Wish You a Merry Christmas,” he fires up the Naughty-inator, cackling, “So long, Christmas! You’re Feliz Navi-dead to me!” Suddenly, Phineas and Ferb’s entire town is branded naughty and all their letters to Santa returned.

Is Christmas saved after all? Of course, thanks to a CD by mysterious crooner named Sal Tuscany, a pair of Santa’s elves, the bully Buford’s attempt to make up for a year of bad behavior with “one big selfless act of kindness,” and a series of events far too intricate and strange for a kids’ show. Or rather, for most kids’ show. My favorite thing about Phineas and Ferb is that it doesn’t talk down to its audience. It assumes most kids will be smart enough to follow it along, which most kids are.

Even if you don’t have kids, catch this special the next time it’s on. I promise you won’t disappointed. And if you are, I will refund your price of admission.

Holiday Triumphs: Tarzan, Tonto, and Frankenstein

Continuing the fabled tradition begun all the way back in 2009, Scratchbomb presents Holiday Horrors and Holiday Triumphs: an advent calendar of some of the more hideous aspects of this most stressful time of year–with a few bits of awesomeness sprinkled in.

My favorite SNL cast remains the first one I ever saw, the late 80s/very early 90s one of Phil Hartman, Dana Carvey, Jon Lovitz et al. Not that this was necessarily the best one ever (though I think it’s definitely in the top five, at least), but it is the one for which I have the biggest soft spot. It transferred pretty effortlessly from recurring-character-driven/lowbrow sketches to high-concept/weird ones and everything else in between.

For instance, this extremely brief segment that never fails to make me laugh. It came at the very end of an episode around Christmastime and features Tarzan (Kevin Nealon), Tonto (Lovitz) and Frankenstein singing “Away in a Manger” in grating monotones (or in Frankenstein’s case, confused groans). It is unexplained, simple, silly, and stupid, and it slays me every time.

The concept was repeated a few times over the years, and at one point Tonto was replaced by Chris Farley as himself. But this version remains my favorite. Dig in!