Upon hearing of the passing of Ray Manzarek, my first thoughts were not of The Doors or Jim Morrison, but of the keyboardist’s role in one of the weirder albums ever released. It was called Men Are Made In The Paint, and it was a spoken word project by Bill Walton in which the former UCLA great and NBA analyst shared his thoughts on the game of basketball at length. At great length, in fact, because Men Are Made In The Paint is a double album, clocking in at almost 2 and a half hours of Bill Walton’s witness protection voice talking about hoops.

A Bill Walton spoken word album is not especially strange in and of itself, but what puts Men Are Made In The Paint over the top is who Walton made the album with, and who released it.

If you’re a former punk rock kid of a certain age, you no doubt remember the little catalogs that came in every SST release, printed on Bible-weight tissue paper and strategically folded so they could hold listings for every record that label put out yet still fit between the CD and booklet for Damaged or Double Nickels on the Dime. One of my former bandmates swore he would one day own every single item in that catalog, and so he made it a point to learn every last release printed thereon, memorizing the backlist of obscure bygone groups like Tom Troccoli’s Dog and Fatso Jetson.

While studying the catalog with talmudic dedication, he discovered a tiny section for something called ISSUES RECORDS. Its only listing was Men Are Made In The Paint. That a Bill Walton double album existed was crazy enough to him, but the revelation was made doubly (quadruply?) crazy by the fact that Greg Ginn was somehow responsible. My friend, who worshiped Ginn, would often point to this as a sign of his quixotic genius and proclaimed this thing must be worth listening to it because Ginn deemed it so.

Continue reading Ray Manzarek, Bill Walton, and Greg Ginn Walk Into a Studio… →