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Studio 60 on Roosevelt Avenue

Studio 60 on Roosevelt Avenue: Episode 12

STUDIO 60 ON ROOSEVELT AVENUE
EPISODE 11
WRITTEN COMPLETELY BY AARON SORKIN TOTALLY ALONE AND UNDER GREAT DURESS
RELIVE THE EXCITING INAUGURAL SEASON!
PILOT | EPISODE 2 | EPISODE 3 | EPISODE 4 |
EPISODE 5 | EPISODE 6 | EPISODE 7 | EPISODE 8
EPISODE 9 | EPISODE 10 | EPISODE 11

LOGLINE: Once the nation’s best and most respected baseball GM, Sandy Alderson has been reduced to trying to revive a moribund franchise in the depths of deepest, darkest Queens. Along with his sharp-witted and adoring protégés, he fights off the seemingly endless series of controversies and crises that beset him while trying to run a sports team in the country’s most bustling metropolis, and still look fantastic while doing it. Can the pressures of such an important job crush this singularly talented and gifted individual genius?

ACT I

The office. PAUL DEPODESTA and J.P. RICCIARDI are standing near a Xerox machine as it whirs away, crumpling up pieces of copy paper and shooting them, basketball style, into a large, overflowing recycling bin.

DEPODESTA
If you could be any tyrant in history, who would you be?

RICCIARDI
Define “tyrant.”

DEPODESTA
Autocratic giant ruling his land with an iron fist.

RICCIARDI
Why would I want to be that?

DEPODESTA
Imagine you had no choice. Which one would you pick that would be the least distasteful to you?

RICCIARDI
I guess…Louis XIV. Seems like you’d be pretty far removed from most of the horror, and you could wear powdered wigs. How about you?

DEPODESTA
Abraham Lincoln.

RICCIARDI
What?! Abraham Lincoln wasn’t a tyrant!

DEPODESTA
The South thought he was. That’s why Booth yelled “sic semper tyrannus!” just before he shot him.

RICCIARDI
That’s a loophole. I didn’t know I could pick Lincoln.

DEPODESTA
Shoulda come with me on that trip to Gettysburg.

MACKENZIE CARLIN walks in, looking annoyed.

CARLIN
What are you two doing? You’re supposed to be copying all the 40-man-roster salary info for today’s meeting.

DEPODESTA
We are. And while we do, we are having a very important discussion abut tyranny, while also playing recycling bin basketball.

RICCIARDI
And I’m winning, mostly because I didn’t call Abe Lincoln a tyrant.

CARLIN
[grabbing the overflowing recycling bin] Is somebody gonna clean this thing out?

RICCIARDI
Yes, I assume somebody will. Could you put it down? I’m trying to line up a three pointer.

CARLIN
[rooting through the trash] What is this?

RICCIARDI
It’s you looking through garbage, for some reason.

CARLIN
No, this.

CARLIN pulls out something from the trash. It looks like a card. She shows it to RICCIARDI and DEPODESTA, who immediately look intrigued.

Cut to DAVID EINHORN’s office. He’s sitting on the edge of his desk with a large square of grass-covered sod in each hand, weighing them carefully. He hears a knock at his door.

EINHORN
Come in, but this better be important. I’m trying to choose grass for my dog’s new putting green.

CARLIN, RICCIARDI, and DEPODESTA enter.

CARLIN
I thought you’d want to see this.

CARLIN hands EINHORN the card. He too is immediately intrigued.

Continue reading Studio 60 on Roosevelt Avenue: Episode 12 →

Studio 60 on Roosevelt Avenue

Studio 60 on Roosevelt Avenue: Episode 11

STUDIO 60 ON ROOSEVELT AVENUE
EPISODE 11
WRITTEN COMPLETELY BY AARON SORKIN TOTALLY ALONE AND UNDER GREAT DURESS
RELIVE THE EXCITING INAUGURAL SEASON!
PILOT | EPISODE 2 | EPISODE 3 | EPISODE 4 |
EPISODE 5 | EPISODE 6 | EPISODE 7 | EPISODE 8
EPISODE 9 | EPISODE 10

LOGLINE: Once the nation’s best and most respected baseball GM, Sandy Alderson has been reduced to trying to revive a moribund franchise in the depths of deepest, darkest Queens. Along with his sharp-witted and adoring protégés, he fights off the seemingly endless series of controversies and crises that beset him while trying to run a sports team in the country’s most bustling metropolis, and still look fantastic while doing it. Can the pressures of such an important job crush this singularly talented and gifted individual genius?

ACT I

SANDY ALDERSON enters the front office through a large set of glass doors and is immediately flanked by J.P. RICCIARDI, PAUL DEPODESTA, and MACKENZIE CARLIN, who trail him as he walks through the office

ALDERSON
So what’s the bad news, chums?

RICCIARDI
A Native American civil rights group believes our stadium was built on a Seminole burial ground.

ALDERSON
Inform them there were never Seminole tribes in this area but we have the utmost respect for their ancient and sacred beliefs nonetheless. Next?

DEPODESTA
Our new third baseman wants a patch on his uniform to commemorate Jerry Garcia.

ALDERSON
If he can sew it on himself, he’s welcome to. Next?

CARLIN
The city’s board of health has traced an outbreak of swine flu back to one of our concession stands.

ALDERSON
Then I guess we’re sending out for pizza today. Is that all? Sounds like an easy day, by my standards.

CARLIN
No, there is also a huge guy in a muscle tee in your office, demanding to speak with you.

ALDERSON
We didn’t lead with that, huh?

CARLIN
Always put your best stuff last.

ALDERSON enters his office and sees JOSE CANSECO sitting at his desk, feet up, frantically mashing a cable remote and flipping through channels on a large wall-mounted flat screen. An enormous, messy meatball sub sits on the desk. CANSECO is wearing very faded zubaz and a muscle tee that stops just above a protruding gut.

CANSECO
Do you guys get the pay porn channels here? I think this girl I knew in rehab is gonna be on one of ‘em in like five minutes.

ALDERSON
By all means, make yourself at home.

CANSECO
I already have.

ALDERSON
Yes, clearly. I was being…never mind. What do you want?

CANSECO
Don’t you wish they could make, like, a buffalo meatball? You got buffalo wings and buffalo chicken sandwiches but no buffalo meatballs? How come nobody’s done that yet? I would eat the hell out of a buffalo meatball sub. I’d eat the hell out of two of ‘em. Not even blink, man. I don’t care what I do.

ALDERSON
What do you want from me, Jose?

CANSECO
Remember when we talked in the parking lot the other day, Sandy?

ALDERSON
Yes, I recall you scaring me half to death, then ending our meeting with a vague threat.

CANSECO
C’mon, that’s all water over the bridge. I’m here because I can help you, Sandy.

ALDERSON
Yes, my office was dangerously low on marinara stains. I appreciate you helping out in that department.

CANSECO
No, in the playoff hunt! If you guys wanna make a run at the championship cup, you’re gonna need a bat like mine in your lineup.

ALDERSON
You do realize that at this point in the season, we can’t add any more players, because if we did, we’d have to expose someone on our 40-man roster to waivers, which…what am I saying, of course you don’t realize that.

CANSECO
Just gimme a tryout, Sandy. Let me prove there’s still some sugar left in this gas tank!

ALDERSON
Why do you even want to play baseball again? You look like you’ve been exercising to a John Belushi workout routine.

CANSECO
Because I miss it, Sandy. The crowds, the cheers, and yeah, even the boos. I miss the way I felt when I would walk out on a baseball field—alive, truly alive. I haven’t felt that way in years, and I want to feel it again, even if it’s just once before I die. And I also have at least three exes on my ass for child support payments. They repossessed my PS3, man!

ALDERSON
Fine. I’ll call up the coaches and scouts and get them to…

CANSECO
No, Sandy, I want you to give me a tryout. Throw me some BP. It’ll be just like old times!

ALDERSON
I never threw batting practice in Oakland.

CANSECO
I mean the old times the way they oughta be!

ALDERSON
[sighs] Fine, just give me a minute.

ALDERSON skirts around the desk and grabs the doorknob for his private bathroom.

CANSECO
I wouldn’t go in there. Someone clogged it up real good.

ALDERSON
Was that someone you?

CANSECO
I’m not sayin’ nothing. I ain’t no snitch!

Continue reading Studio 60 on Roosevelt Avenue: Episode 11 →

Studio 60 on Roosevelt Avenue

Studio 60 on Roosevelt Avenue: Episode 9

STUDIO 60 ON ROOSEVELT AVENUE
EPISODE 9
WRITTEN COMPLETELY BY AARON SORKIN TOTALLY ALONE AND UNDER GREAT DURESS
RELIVE THE EXCITING INAUGURAL SEASON!
PILOT | EPISODE 2 | EPISODE 3 | EPISODE 4 |
EPISODE 5 | EPISODE 6 | EPISODE 7 | EPISODE 8

LOGLINE: Once the nation’s best and most respected baseball GM, Sandy Alderson has been reduced to trying to revive a moribund franchise in the depths of deepest, darkest Queens. Along with his sharp-witted and adoring protégés, he fights off the seemingly endless series of controversies and crises that beset him while trying to run a sports team in the country’s most bustling metropolis, and still look fantastic while doing it. Can the pressures of such an important job crush this singularly talented and gifted individual genius?

ACT I

FRED WILPON’s office. He’s sitting across the desk from RAY BARTOSZEK, a rotund, bald man of Eastern European extraction in a garish suit. They are laughing together when DAVID EINHORN walks past the open office door. He stops in his tracks and looks inside. The two men shoot each other strained glances. EINHORN stalks off, looking angry and almost tearful.

Cut to: SANDY ALDERSON’s office. He stands at his window, looking out on the field contemplatively as groundskeepers water it. EINHORN bursts in.

EINHORN
I’m being pushed out!

ALDERSON
Nice to see you, too.

EINHORN
Do you know that Wilpon’s in his office right now, talking to Ray Bartoszek?

ALDERSON
No, I didn’t know that, for despite all evidence to the contrary, I have not yet been granted omniscience.

EINHORN
Bartoszek was the guy Wilpon talked to about investing in the team before he chose me. Now he’s got him in his office and they’re laughing it up like a bunch of…laughing guys! Do you know what this means?

ALDERSON
Someone told a humorous anecdote?

EINHORN
It means I’m being pushed out! Wilpon wants another investor in this team!

ALDERSON
So? He’s not going to have majority control like you do.

EINHORN
I don’t have majority control! I don’t have any control! I just have exclusive negotiating rights with Wilpon. Except, I kinda forgot to negotiate anything. Officially, I don’t own anything yet, and Wilpon’s gonna sell it out right from underneath me!

ALDERSON
So you’ve been calling the shots for this team, making trades, taking us on team-building conferences, and you don’t even own the team yet?!

EINHORN
I was gonna take care of it, but my brother was in town for a few weeks, and then there was that day I had to pick up a chair I bought on Craigslist…I got a lot on my plate, okay! I need you to fix this, pronto!

ALDERSON
Why? You just told me you’re not officially in charge of anything. Why do I need to do what you say when I have so many other things to take care of? Just this morning I found out my second baseman will be featured on an upcoming episode of Hoarders.

EINHORN
Well…all the fun times we’ve had, for one thing.

ALDERSON
Like when you traded for the most expensive player in baseball behind my back, then filled him with enough drugs to kill Keith Richards.

EINHORN
Only some of those words are true! C’mon, I thought you loved solving crises!

ALDERSON
I don’t love it, I’m just incredibly good at it.

EINHORN
Sandy, please, I need your help. You’re the closest thing I have to a friend right now. Everyone else I know is either indicted or in mutual funds.

ALDERSON
That’s rough, mutual funds. [begins to walk EINHORN out the door] All I can tell you, David, is that a business partnership is like a relationship.

EINHORN
Because you pay for it with cash and hate each other?

ALDERSON
No, because every now and then you have to rekindle the spark. Why did you and Wilpon do business in the first place? Remember that, and you’ll find the way to get back in his good graces.

EINHORN
What if I can’t think of it?

ALDERSON
You can ask J.P., or Paul, or Carlin. They’re all top-notch assistants who can help you with your problem when they’re not managing the incredibly difficult job of keeping a ball club together.

EINHORN
And what if they can’t help me?

ALDERSON
Then maybe you and Wilpon shouldn’t have been together in the first place. David, I’m sorry, but I need to be alone right now.

ALDERSON gently pushes EINHORN out of his office and shuts the door. EINHORN looks worried as J.P. RICCIARDI and PAUL DEPODESTA walk by.

EINHORN
What’s with Sandy? He normally loves to solve problems like this.

RICCIARDI
He’s been a bit on edge lately. He gets like that every now and then.

DEPODESTA
Best to just wait it out. A genius mind like that needs a break from time to time.

Cut to inside ALDERSON’s office. He’s staring out the window again. From a nearby corner, an apparition of ALDERSON’S FATHER emerges, dressed in army fatigues and a GI helmet.

ALDERSON
I thought I told you to leave me alone.

FATHER
You never listened when I told you to get a haircut, ya damn hippie, so now I’m returning the favor. You know why I’m here, son–to berate you into relapse

ALDERSON
I’m not doing that.

FATHER
It’s right in your desk drawer. Why do you have it if you don’t plan on using it? You want to use it, you weakling!

ALDERSON clenches his eyes, grasps his temples and tries to massage the pain away. FATHER chuckles.

Continue reading Studio 60 on Roosevelt Avenue: Episode 9 →