Category Archives: Videocracy

Internet Gauntlet Thrown: “You’re Gonna Win!”

When I love something, it’s usually due to a combination of factors, but I can always pinpoint one element and say, “This exemplifies why this is awesome.” Like how “Clowntime Is Over” might be the best song ever, but whenever I listen to it, I lose myself in how perfect the bassline is. Or like how The Jerk is an indisputable crowning achievement of 20th century comedy, as represented by the duet between Steve Martin and Bernadette Peters where she suddenly without warning breaks into a trumpet solo.

In this vein, there was an ad for Comedy Central that ran in the early/mid-1990s that was so intensely dark, non-sequitir-y, and perfect that it is the gold standard by which I judge such promos. And I do judge promos. Constantly. I’m judging even as I type this.

This commercial was shot in black and white. A prisoner is being led to the electric chair. Tight shots on his panicked face. Beads of sweat break out on his forehead. A priest gives him halfhearted last rites. He shoots a hopeful glance at the phone on the wall, hoping for a pardon. Nothing. He is strapped in. The helmet is put on his head. The clock ticks closer and closer to midnight. Any second now, he will pay for his crimes.

gonnawin.pngAnd all of a sudden, an acoustic bass is heard. The prisoner looks off to his left. The camera cuts to a corner of the room, where a jazz trio is performing; a vocalist, a drummer, and a bassist. The singer is a pompadoured hipster-crooner in sunglasses, singing right at the prisoner with exaggerated hand gestures the following lyrics:

You’re gonna win!
You’re gonna go!
You’re head of the pack,
You’re king of the show!
You’re on the move
Straight to the top
You’re way out in front
You’ll never stop!
You’re gonna win!
You’re gonna WIIIIIIIIIN!

Halfway through the song, the prisoner is smiling and tapping his feet. Yeah, everything’s gonna be okay! And it ended with the tagline THINK POSITIVE: COMEDY CENTRAL.

Everything about this ad was great, but the one detail that really got me was the trio’s drummer. He had this insane wide-eyed grin, almost Cheshire Cat-like, looking straight at the camera. It was monstrously funny. I used to draw little recreations of the trio in my high school notebooks. That’s how much I loved them.

This ad popped up in my head recently, so I decided to troll through the internet and look for it. Surely someone had captured its majesty in YouTube form so the entire world could enjoy it and make racist comments about it (since all YouTube videos, regardless of content, attract racist comments).

Well guess what, Internet? You have failed. Failed miserably. Because there is no video representation of this ad ANYWHERE on your series of tubes. For shame.

Sure, you can find later permutations of the ad, like one where a guy comes home to find his wife boning the plumber, and another where a guy takes a dive in a runaway elevator. Not good enough, internet. The death row ad was the ne plus ultra. You need to supply the original and you need to do it posthaste.

I have literally dozens of VHS tapes from this period with episodes of MST3K. It’s very possible one (or more) of them has this ad on it. But you know what? I’m putting the onus on you, Rest of the Internet. Haven’t I done enough to immortalize the commercials of yesteryear? “Yes,” says everybody.

So get on the stick, you guys. I want this thing on my desk after Thanksgiving or heads are gonna roll.

“Bottled in Cork” Video = A Fount of Awesome

I’ve already tweeted about this, and Facebooked it, and mouth-talked it. But on the off chance you have yet to see this masterpiece, here ’tis: the video for Ted Leo’s “Bottled in Cork”, directed by Tom Scharpling, starring Paul F. Tompkins, Julie Klausner, John Hodgman, and a slew of other awesome folk, as they bring Ted to the Great White Way in his musical The Brutalist Bricks! (No Refunds).

Sharp-eyed WFMU-ophiles may spot Terre T, AP Mike, Therese, and some other righteous people. Fortunately for your eyes, you can not see me.

Ya see, I volunteered to be in the crowd scene (brag), but the shoot time got moved up to 4pm, when I would have still been at work. I toyed with the idea of sneaking out early to make the scene, but my German half demanded that keep my nose to the grindstone. (My Irish half was totally down with splitting work and giving everyone the finger as I left.)

Thus, I was denied a shot at rock n’ roll immortality.* And a month later, I was let go from this job. There’s a lesson in there somewhere, though I’m not quite sure what it is.

*Actually, I may have already achieved rock n’ roll immortality, since my enormous bald head can be briefly seen in crowd shots in the following concert films: Fugazi’s Instrument, The Make-Up’s Blue Is Beautiful, and the aforementioned Mr. Leo’s Dirty Old Town. If you can find those movies and spot me in them, you win absolutely nothing.

This video is, quite obviously, a play on the trend of musicals based on a particular band’s/artist’s oeuvre–particularly ones that don’t quite gel with traditional Broadway mores. Like, oh, I don’t know, let’s just say Green Day. So I assume, anyway. Because there is no way in hell I will ever see any of these quote-unquote musicals without the aid of hard drugs and harnesses.

Especially after seeing this clip someone tweeted earlier today (forgive me for forgetting who, whoever you are), which comes from the Bob Dylan musical. Hey, remember when there was a Bob Dylan musical? No? You’re lucky.

YouTubery Friday: Muppets and Podcast Goodness

It’s Friday! Procrastinate and count down to happy hour with these lovely bits!

Do you love the Muppets? That’s a trick question. Of course you do. After all, you’re a human being with a sense of humor and a soul. Only an inhuman monster would not like the Muppets. I would not care to be in the same room or ever meet such a quote-unquote person.

Yesterday, the tweeting of Chunklet led me to this YouTube gem. It’s a camera test for the first Muppet movie (aptly titled The Muppet Movie). I don’t know who posted this, but I owe you a few beers. Words can not express how happy this video made me. In it, Kermit and Fozzie engage in an existential meta-conversation about what they are, exactly. Plus, Miss Piggy admits to a horrible, horrible crime.

There is another video from the same session, apparently, which is not quite as brilliant but still has some amazing dialogue in it. For instance, Fozzie wondering why the car he’s riding in does not have a stove.

This next thing is not a video per se, but it’s my damn site and I’ll promote whatever the hell I want. The illustrious Paul F. Tompkins and Tom Scharpling appeared together on a special two-part edition of the podcast Comedy and Everything Else. It made for nearly four hours of non-stop hilarity. I particularly like Tom’s reasoning for why he shouldn’t have to sit through the Sarah McLachlan animal cruelty PSA’s. Subscribe now and listen to it all. You won’t be sorry.