It’s Friday! Procrastinate and count down to happy hour with these lovely bits!
Over at the FOT forum, Stupornaut posted a link to this amazing collection of terrible dialogue from video games of the last 10 years or so. Most of them are terrible because of the dialogue itself–not too many Faulkners work in the video game industry–although there are clearly a few “actors” included here who should not have chosen voice over work for their vocation Particularly one man who did a voice for Mega Man, who sounds like he went to the Elmer Fudd School of Diction.
Earlier this year, former major league pitcher Dock Ellis passed away. His biggest claim to fame is the fact that he once threw a no-hitter while tripping balls on LSD. That feat has now been immortalized in animation form, thanks to the good people at No Mas. Even if you don’t like baseball or lysergic amusement, you will enjoy this video. Trust me.
Finally, just because, here’s The Minutemen performing “Little Man with a Gun in His Hand” (one of my favorite songs of all time) at the 9:30 Club in DC, circa 1984. D. Boon, gone way too soon.
Last week, whilst traveling home from work, my iPod conspired to play a song by Life Detecting Coffins, “The Whores of Tel Aviv”. It’s a tune about religious hypocrisy (a subject that’s been on my mind lately, though I’m not quite sure why) that still blows my mind every time I hear it. I am not a fan of metal, and LDC were not a metal band by any stretch of the imagination, but this is a song that makes me think that I might like metal.
Then I hear some actual metal and realize, nope, still hate this stuff. Not so much the music as all the other dumb stuff that goes along with it (album covers of demons and dragons, for one thing). Not to mention the dumb people who tend to like it. Sorry, dumb people.
I got so excited about hearing this song out of nowhere that I fired off, like, 12 tweets about how awesome it was, and how it blew everything else ever recorded out of the water. That prompted several response tweets along the lines of, “fine, I believe you that they rock, just shut up about it!” and “if you love this song so much, why don’t you marry it?” That would be impossible, of course, because I’m already married, and because it’s illegal to marry a song (especially in Maine).
I wrote about LDC a while back, and I don’t have much to add to that appreciation. I’d like to repeat that, even though I knew all the guys in the band well, they are definitely a group I’d have loved regardless of whether I knew them or not. However, in my first LDC post I didn’t include any representative examples, for reasons that escape me. I’d like to correct that error now.
Their (sadly) sole album, Catatonic Begat Napoleonic, has as its core a brutal 1-2 punch of “Whores” and “Wolf Boys,” which melt into each other perfectly, even though they are two very different songs. I have a particularly strong memory of going over the Pulaski Bridge at sunset as an instrumental demo of this song played through my car stereo (courtesy of a member of the band), and feeling absolutely destroyed by its beauty.
This is a wonderful demonstration of how a good album was put together back in the pre-iPod days, way back yonder, six years ago. I’ve assembled them here, as they were meant to be heard, for your listening pleasure.
And for good measure, here’s another excellent LDC tune, “MIsery Smells Like Hairspray,” a title I loved so much I appropriated it for the title of an as-yet unpublished short story that continues to languish on my hard drive. The guitar solo kills me; some of the best shredding Greg Ginn never did.
If’n you want to download the tunes for your own personal enjoyment:
Okay, that’s enough haterade for one day. Enough with the negativity! Now is the time to gather together and celebrate those things that we like and think are fun!
I got more than pics, in fact. WE ALL DID. Because Mr. Leo was dressing as Lodi’s favorite son as part of a Halloween show down in Philadelphia, wherein he and the band TV Casualty (featuring Atom of Atom and His Package, among others) performed an entire concert of Misfits covers. Better still, some forward-thinking genius captured the whole thing on video and posted it to YouTube.
You might wonder how Ted Leo would perform as Danzig. They’re not very similar in stage presence, singing voice, or general bulk. But as part one of this video collection will attest, Ted doesn’t just imitate Misfits-era Danzig. He IS Misfits-era Danzig!
Seriously, this is one of the greatest things people have ever done. Watch this, then hie thee to the rest of the set. I particularly enjoyed their versions of “Hyrbid Moments” and “Last Caress”, but you can’t go wrong with anything in this collection, I says.