Category Archives: Stories

Greene Avenue, 1930

My grampa isn’t my grampa yet, so let’s call him Frank. Frank lives in Brooklyn or Queens, depending on what year it is. He doesn’t change his address, but the borough containing that address changes with the whims of city surveyors.

The subway is a recent addition to his neighborhood. The place is rapidly urbanizing, but there are still some signs of its small town past, like farms. A few small farms lie nearby, some only a few blocks away.

Thanksgiving is on the horizon, and Frank’s dad wants to take advantage of this proximity. He knows a farmer close by with more turkeys than he knows what to do with. Rather than drop way too much dough on a bird from the butcher, Frank’s dad figures he can buy one of these young turkeys, raise it in his backyard, and get it nice and fat in time for the big holiday. He doesn’t have a very big backyard, but how much room does a turkey need, really? All they do is eat and sleep. He’s seen neighbors raise chickens and roosters in their backyards. A turkey can’t be any harder.

This calculation doesn’t take into account Frank, and his sister Kathy. Once the turkey comes home and takes up residence in the backyard, they look upon it not as a future meal, but a pet. Frank and Kathy bring it scraps from the dinner table. They pet it and play with it, even though the concept of “play” seems too complex for a turkey to grasp. They name him Tom.

This presents a dilemma for Frank’s dad. He knows the kids are attached to the turkey and don’t want to see it slaughtered. He is inclined by nature to make them happy. He is not the whip-cracking type of dad, but a sentimental sort, a lover of pranks, a story teller. He ushers at St. Aloysius on Sundays, then goes from church straight to The Eagle’s Nest to bartend and exchange jokes.

Frank’s dad is also a Great War veteran. He served in France to display his patriotism at a time when the propaganda of the age said the True Americanism of anyone of German descent was suspect, a time. And it is 1930, which means Frank’s dad is a dad at the beginning of the Great Depression. He cannot afford to simply throw away food, even food whose name is Tom.

So despite his fun-loving, accommodating nature, Frank’s dad takes the turkey, chops its head off, plucks it, and hands the carcass off to Frank’s mom, who will cook it.

If the idea behind killing the bird was to not waste food, this proves poor reasoning. Frank’s mom and dad eat, but Frank and Kathy do not. They sit in their seats at the dinner table and stare at pieces of what was once their pet and burst out crying, wailing “oh, Tom…” Frank’s dad sees no point in berating his children, but reminds them that this is all the food they have. They can eat this on Thanksgivng or eat nothing. They choose nothing.

Frank will become my grampa and he will tell me this story, and in his telling it will be a funny story. He will imitate his young self crying over a turkey and laugh at the memory. He will have gone to war in a strange land, just like his father, and will come home in one piece and have to raise children on a tight budget, like his father. In his rearview, the plight of a turkey will come to seem like small potatoes.

You could call this cold or cruel, but I know my grampa was not a cold or cruel man. Just the opposite, just like his own father. Grampa just knew that parenting requires difficult decisions, and in a no-win situation, perhaps laughter is called for.

I believe that today of all days, if you can use your childhood pain not for brooding, but for laughing, then you should be thankful.

26th Street, 1996

Thanksgiving looms, but the weather refuses to get cold. The temperatures dipped little by little from August heat to a mild October chill, then stayed there. I find this unsettling.

This school year has found many ways to be strange to me. NYU is in the midst of a housing crunch. Dorms near “campus” are needed for incoming freshmen and upperclassmen. That means sophomores like myself get the shaft. Most of my friends were placed at a brand new dorm on Broome Street, far away from classes but at the interesting nexus of Chinatown, Little Italy, and Soho. (At this time, Soho is still vaguely interesting. Hard to believe now, I know.)

I did not land in Broome Street. I landed in 26th Street. This dorm was originally intended for the exclusive use of NYU’s dental students. Out of necessity, it has been drafted into the plan for dealing with the overflow of non-dental students. This arrangement that pleases no one.

The dental dorm is a charmless Brutalist slab near First Avenue, a few short steps from Bellevue, New York’s biggest and oldest public hospital. This proximity makes for some lively nearby foot traffic, particularly in the wee hours on the weekends. And Bellevue is not my only interesting neighbor. One day I come home from classes, turn on the news, and see Ti-Hua Chang (the victim of all of NBC-4 News’ thankless tasks) reporting on an incident at a methadone clinic down the block on Second Avenue. I had no idea there was a methadone clinic nearby, because methadone clinics rarely put up shingles outside their front doors. Go one block north and you find the Straus Houses, the last projects on the east side between here and Harlem.

Straus HousesAll my friends get cannolis and dim sum, and I get Manhattan’s last crummy neighborhood. It isn’t a dangerous neighborhood, just crummy. Unscrubbed, down in the mouth, just this side of hopeless. The architecture is so ugly that anyone who lives in it can’t help but feel they’d been dumped here. Everyone I see on the street looks unhappy to be where they are, be they medical student or methadone enthusiast. Even in this disturbingly warm November, it always seems gray here. At least I will only be here for one school year. Others don’t have the luxury of coming and going with the semesters.

Continue reading 26th Street, 1996

Bedtime 2

“You said we could watch The Simpsons before bedtime.”

“I know, I’m sorry. I just found all these old pictures and I got wrapped up in them.”

“Is that you?”

“Yeah.”

“When you were in a band?”

“Yeah. This was at CBGBs. That’s a famous place where bands played. I mean, it was a famous place where bands played. It’s a shoe store now.”

“You look so…young.”

This hits me somewhere deep. It doesn’t bother me that her saying you look so young implies I look old now, because I know I do. I’m more surprised she thinks there was a time when I didn’t look old.

At the time this picture was taken, I had it in my head that the band should wear classy outfits. I wanted the band to be as close as Nation of Ulysses as possible without playing their songs, and I imagined myself its Ian Svenonius.

That’s why, in this picture, I’m wearing black suit with red shirt and thin black tie. It looks like I’m imitating Interpol, except Interpol was still a few years in the future. Considering how little my own band managed to accomplish, I’m pretty sure Interpol arrived at their aesthetic on their own. Also, I’m the only jerk who bothered to get dressed up. Everyone else in the band stuck to t-shirt and jeans.

My head is bowed. A stage light catches the side of my head, and my hair looks bright red, almost pumpkin orange. I still had some hair back then, though it was quickly fleeing. I’m looking at the neck of my bass, mostly because I wasn’t a very good bass player. But if you didn’t know that, you would think I was lost in thought.

Over my shoulder, the wall behind the stage is covered in stickers and graffiti from other people who tried to leave something behind. That was the idea. You went to CBs and you plastered your sticker or scribbled your name on top of someone else’s sticker or name. Soon, someone else would do the same to you.

All these stickers and all these scribbles are gone now, along with the wall they were attached to, and the stage underneath them. The bass I’m holding is in a corner of my bedroom, missing a tuning peg, unprotected by a gig bag, collecting dust.

I’m not young in this picture, not in anything but age. I can’t remember a time when I felt anything but old. Even as a kid, I had old man worries, old man preoccupations. I had genuine cause for some of my worries. Would we lose the house? Would Dad crash the car or do something else horrible while drunk? Where I didn’t have real worry, my mind invented worry to fill the gaps.

My mind kept doing this even as most of the real worries faded away, until I became an adult, whereupon adult-type worries grabbed the baton. Bills, schools, a child of my own. In between, I had tiny islands of Not Worry, but each were inevitably engulfed by one tidal wave or another.

This picture is a rare document of one of those islands. The kid in this picture had worries, but he wasn’t thinking of them when the shutter snapped. I took my worry and I channeled them into songs that I wrote and sang, and when I played them for people, the worry stayed away, unable to penetrate a forcefield that fell down at the edge of the blackness beyond a stage.

My daughter was right. In this picture, I’m as young as I ever was.

“Can we watch The Simpsons now?”

“Yes, it’s almost bedtime.”