STUDIO 60 ON ROOSEVELT AVENUE
EPISODE 9
WRITTEN COMPLETELY BY AARON SORKIN TOTALLY ALONE AND UNDER GREAT DURESS
RELIVE THE EXCITING INAUGURAL SEASON!
PILOT | EPISODE 2 | EPISODE 3 | EPISODE 4 |
EPISODE 5 | EPISODE 6 | EPISODE 7 | EPISODE 8
LOGLINE: Once the nation’s best and most respected baseball GM, Sandy Alderson has been reduced to trying to revive a moribund franchise in the depths of deepest, darkest Queens. Along with his sharp-witted and adoring protégés, he fights off the seemingly endless series of controversies and crises that beset him while trying to run a sports team in the country’s most bustling metropolis, and still look fantastic while doing it. Can the pressures of such an important job crush this singularly talented and gifted individual genius?
ACT I
FRED WILPON’s office. He’s sitting across the desk from RAY BARTOSZEK, a rotund, bald man of Eastern European extraction in a garish suit. They are laughing together when DAVID EINHORN walks past the open office door. He stops in his tracks and looks inside. The two men shoot each other strained glances. EINHORN stalks off, looking angry and almost tearful.
Cut to: SANDY ALDERSON’s office. He stands at his window, looking out on the field contemplatively as groundskeepers water it. EINHORN bursts in.
EINHORN
I’m being pushed out!
ALDERSON
Nice to see you, too.
EINHORN
Do you know that Wilpon’s in his office right now, talking to Ray Bartoszek?
ALDERSON
No, I didn’t know that, for despite all evidence to the contrary, I have not yet been granted omniscience.
EINHORN
Bartoszek was the guy Wilpon talked to about investing in the team before he chose me. Now he’s got him in his office and they’re laughing it up like a bunch of…laughing guys! Do you know what this means?
ALDERSON
Someone told a humorous anecdote?
EINHORN
It means I’m being pushed out! Wilpon wants another investor in this team!
ALDERSON
So? He’s not going to have majority control like you do.
EINHORN
I don’t have majority control! I don’t have any control! I just have exclusive negotiating rights with Wilpon. Except, I kinda forgot to negotiate anything. Officially, I don’t own anything yet, and Wilpon’s gonna sell it out right from underneath me!
ALDERSON
So you’ve been calling the shots for this team, making trades, taking us on team-building conferences, and you don’t even own the team yet?!
EINHORN
I was gonna take care of it, but my brother was in town for a few weeks, and then there was that day I had to pick up a chair I bought on Craigslist…I got a lot on my plate, okay! I need you to fix this, pronto!
ALDERSON
Why? You just told me you’re not officially in charge of anything. Why do I need to do what you say when I have so many other things to take care of? Just this morning I found out my second baseman will be featured on an upcoming episode of Hoarders.
EINHORN
Well…all the fun times we’ve had, for one thing.
ALDERSON
Like when you traded for the most expensive player in baseball behind my back, then filled him with enough drugs to kill Keith Richards.
EINHORN
Only some of those words are true! C’mon, I thought you loved solving crises!
ALDERSON
I don’t love it, I’m just incredibly good at it.
EINHORN
Sandy, please, I need your help. You’re the closest thing I have to a friend right now. Everyone else I know is either indicted or in mutual funds.
ALDERSON
That’s rough, mutual funds. [begins to walk EINHORN out the door] All I can tell you, David, is that a business partnership is like a relationship.
EINHORN
Because you pay for it with cash and hate each other?
ALDERSON
No, because every now and then you have to rekindle the spark. Why did you and Wilpon do business in the first place? Remember that, and you’ll find the way to get back in his good graces.
EINHORN
What if I can’t think of it?
ALDERSON
You can ask J.P., or Paul, or Carlin. They’re all top-notch assistants who can help you with your problem when they’re not managing the incredibly difficult job of keeping a ball club together.
EINHORN
And what if they can’t help me?
ALDERSON
Then maybe you and Wilpon shouldn’t have been together in the first place. David, I’m sorry, but I need to be alone right now.
ALDERSON gently pushes EINHORN out of his office and shuts the door. EINHORN looks worried as J.P. RICCIARDI and PAUL DEPODESTA walk by.
EINHORN
What’s with Sandy? He normally loves to solve problems like this.
RICCIARDI
He’s been a bit on edge lately. He gets like that every now and then.
DEPODESTA
Best to just wait it out. A genius mind like that needs a break from time to time.
Cut to inside ALDERSON’s office. He’s staring out the window again. From a nearby corner, an apparition of ALDERSON’S FATHER emerges, dressed in army fatigues and a GI helmet.
ALDERSON
I thought I told you to leave me alone.
FATHER
You never listened when I told you to get a haircut, ya damn hippie, so now I’m returning the favor. You know why I’m here, son–to berate you into relapse
ALDERSON
I’m not doing that.
FATHER
It’s right in your desk drawer. Why do you have it if you don’t plan on using it? You want to use it, you weakling!
ALDERSON clenches his eyes, grasps his temples and tries to massage the pain away. FATHER chuckles.
Continue reading Studio 60 on Roosevelt Avenue: Episode 9 →