All posts by Matthew Callan

The Finish Line

This weekend, this happened.

Which is to say, Love and a Short Leash, the novel I wrote about here and have been mentioning obliquely and incessantly in various social media platforms is finally complete. Now it is ready to take flight in this big, terrible world and hopefully find a cozy nest somewhere. Metaphors!

I am not ruling out self-publishing. I’ve seen more and more people go this route, and not just odd cranks and fanfic enthusiasts, but for-real authors. The idea of having complete ownership over my creative output is very appealing to me, and I have the ebook chops to make my own digital novel with ease. However, what I don’t have is the reach, influence, and free time to hustle and get this book into as many hands as I’d like. And I do feel that, considering the insane amount of time and I spent writing this thing, I owe myself the effort of seeing if more conventional channels want to publish it. If that doesn’t pan out…well, I’ll just burn that bridge when I get to it.

This book began in its life as a short story I wrote when I was in the MFA program at Brooklyn College. The head of program then was Michael Cunningham, author of the The Hours (among other novels). In the first class I had with him, a sort of “freshman seminar” for brand new MFA candidates, he told the assembled hopeful writers, “The world doesn’t want your stories.”

What he meant was, nobody is out there begging for you to finish your work. If you set out to write something and you never finish it, nobody will be banging on your door to demand it. This applies to every creative endeavor, but especially so to writing. The world is a big place and it will get along just fine without you and your thoughts and your dreams, thank you very much.

I don’t believe Michael said this to be discouraging or to intimidate us, drill-sergeant-style. I took it as a simple reminder that writing is really, really, really hard (see?), and there is already so much of it, more than any human could read in 10 lifetimes, that one more story is a tiny drop in an infinitesimally large bucket, and you must know this before you pick up a pen or sit down at a keyboard.

When I began writing this novel, I operated under this assumption: Nobody wants this thing. Sometimes this attitude gives you a sense of defiant me vs. the world-ism, which can be useful in the solitary endeavor of writing. But it can also be a crushingly depressing outlook if you’re inclined to dark thoughts, which is me in spades. I blame my genes. My Irish side gets the big ideas, my German side makes me do the hard work, and then both sides gang up to whisper What’s the point, really? That negativity, plus not having long stretches of time to work on this novel, is what caused me to abandon this book at long stretches.

Last year, I resolved to push past this feeling and finally finish a draft of this novel that had lingered on my hard drive and in my mind since 2004. I still had the idea Nobody wants this thing at the back of my head. However, I also began to make regular updates on Twitter and Facebook about my progress. I tried to make the updates an even mix of clinical (how much I’d done and how much I had yet to do) and affirmation/self encouragement (e.g., “THIS IS GONNA MELT YOUR FACE, GUYS.”).

I did this for much the same reason I made similar updates regarding my efforts to get into shape: To create public accountability. (Idea admittedly stolen from Drew Magary’s Public Humiliation Diet.) If I talked online about how I was working out, it’s that much more embarrassing to walk around looking like a land monster, because then people will whisper Oh, he gave up… Likewise, if I kept posting novel updates, that obliged me to continue until I finished. Otherwise, when people asked me about it, I’d have to do the dance of, Yeah, I was working on that book for a while, but you know, I’ve been so busy…

In doing this, I found that many people–real-life friends, online friends, and virtual strangers alike–were both supportive and curious, sending encouragement while wanting to know more about the novel. Especially since I finally completed my first draft, I’ve gotten heartening pats on the back and atta boys from so many people, which is amazing motivation for an endeavor where the payoff comes much, much later, if at all. And as I reached the home stretch, with the end in sight, I got some genuine I can’t wait to read this thing notes from people I love and admire. This, more than anything else, enabled me to power my way to the end.

I still believe it’s best to approach the whole writing business–particularly the novel writing business–assuming that no, the world doesn’t want your stories. But I also found that when you share the journey, even in the most cursory way, the world might like to hear those stories anyway.

So, anybody wanna publish a novel?

YouTube Comment of the Week: Smurfs Pasta

Time was, you were nobody unless you got your own canned pasta. In the days of my kid-dom, every cartoon character was immortalized in semolina form by Chef Boyardee or Franco-American. Any resemblance between the pasta and the character(s) they were supposed to represent was purely coincidental; most of the shapes looked more like amoebas than anything else. They all tasted the same as well, industrial fake cheese and processed tomato sauce tang. I know because I ate every single one of these pastas at least once. I was a carb completist. (Although I feel that by calling these things “pasta,” I should have to apologize to some kindly old Italian grandmother somewhere. Perdonilo, nonna!)

The Smurfs received this tribute, of course, since they were on TV for roughly 73 years. Was the pasta blue? Of course not; such technology did not exist yet, and let’s pray it never does. The Pasta Smurfs looked and tasted exactly like the Pasta Pac-Man and the Pasta X-Men, which is to say carb-loaded blobs swimming in Campbell’s tomato soup. Uniqueness, verisimilitude, and taste were not the goals here. The goal was to make a canned pasta that you could put a cartoon label on so dumb kids (like me) would beg for it. Mission accomplished.

However, I do understand that the mere sight of these items have a nostalgic pull for folks of a certain age, myself included, which is why I found the comment you’ll see below this clip oddly endearing. And odd. Though no more odd than the commercial itself, in which Papa Smurf reacts to a Gargamel-induced food shortage by transforming a bunch of Smurf houses into Smurf pasta. Thanks, Papa Smurf! Now I’m no longer hungry but I have to sleep in a ditch!

Honorable mention for this comment that points out a continuity flaw in the ad copy:

One Shining Moment With Mike Francesa and Marie

I grew up listening to WFAN. Since that was (and continues to be) the Mets’ flagship station, my mom had pretty much every radio in the house tuned to it. Mike and the Mad Dog could be heard in my house post-school on any given weekday, with that duo just beginning to rail against their Target of the Day as we got off the bus.

Mike and the Mad Dog basically invented sports talk radio as we know it; i.e., two loud guys screaming at callers and each other for several hours. Growing up in a non-cable household, and thus cut off from ESPN and most televised games (particularly baseball), this was my family’s only pipeline to the world of sports and the discussion thereof in the heady First Bush/Early Clinton years, a time of tumultuous change.

With the advent of the internet, however, it seems like sports radio is an idea whose time has passed. When you can comment on a story on almost any major news site, or even start a sports-related blog of your own, waiting on hold for an hour to possibly talk to some imperious host for 8 seconds has a lot less appeal than it once did.

It has even less appeal when it comes to Mike Francesa. I don’t know if he became unlistenable after his break-up with Chris “Mad Dog” Russo, or if he simply suffers from comparison to the modern internet-powered array of alternatives. In either case, I’ve come to find his brand of pomposity and shit-stirring intolerable. It doesn’t help that he is a first-degree troll when it comes to the Mets, an expert at tapping into the Self-Loathing Troglodyte segment of the team’s fanbase. I certainly don’t look at the team through rose-colored glasses, but that doesn’t mean I want to hear its every move sneered at by default, either.

I once listened to Francesa every day, whether I liked what he had to say or not, because, well, that’s what you did, right? These days, I feel no need to tune into something that pushes my buttons so much, especially when there’s so many other places I can go to that fulfill the same function as his show and then some.

On the rare occasions when I have listened in the last few years, the show seems to skew painfully old. I hear a large proportion of callers who are firmly in the Early Bird Special set, asking Francesa questions they could easily have answered via Google. (“Hey Mikey, what time does that Knicks game start tonight?”) More and more, his audience sounds like it’s made up exclusively of people who the Internet Age has left by the wayside. It’s fine and good that this crowd still has a place to commune, but it sounds like something that will age itself out of existence, and soon.

However, this demographic means you get glorious moments such as this one, which I heard in the car on my way to pick up my daughter from school yesterday. In it, Marie from Long Branch takes a hilariously long time to figure out that you can’t listen to a radio show and talk on the phone at the same time. Then, she repeats everything Francesa says for the benefit of her husband Louie before cutting to the chase: she wants in on a promotion the station is doing with McDonalds. Francesa grants her wish and finds out exactly what she likes to get in excruciating detail. Quarter pounder…fries…iced tea….entire geological age passes…

Then Francesa asks about her favorite teams and promises to send her something during the baseball season. At this point, three-plus minutes into the phone call, we discover that Marie thought she was talking to a WFAN underling, not Francesa, the whole time.

Later, we learn a bit about Marie and Louie’s met-cute backstory, and even hear from Louie himself, all of which is actually kind of endearing. (I’m a softy; sue me.) Still, the first three minutes of this call are some of most unintentionally hilarious radio I’ve heard in years. It made me laugh so hard, I literally punched my steering wheel (because laughter makes me angry).

Whatever else you want to say about Francesa, this is something you could not hear anywhere else. Take that however you will.

For a better audio clip of the tail end of this call, click here. Thanks to @CoreyNYC and @WFANAudio for sending the audio and video my way.