This Precinct Serves the Shame District

precinct.jpgNo one is happy at a police station. No one wants to be there, not even the cops. And all precinct headquarters (in NYC, anyway) were built at the height of the Stalinist Municipal Building movement, designed by the architecture firm of Doom & Hopelessness, making liberal use of cinder blocks, warped wood, and muffled screams.

To add to this aesthetic austerity, police stations make poor interior design decisions. Like painting dirty walls rather than cleaning them. Or leaving up a corkboard full of outdated, mimeographed notices. Or choosing cracked orange plastic chairs for the waiting area that must have been discarded from the saddest pizzeria ever.

My police station experiences have been maddening, but ultimately pain free. Then again, I’m a white male age 18 to 35, so police stations don’t evoke the fear in me that they do in some people. Yesterday, I went to the local precinct to pick up a stolen vehicle report I need for DMV/insurance purposes. I was reminded that it sucks getting your car stolen, then waiting an hour to pick up a report that takes five minutes to complete, but some things suck a lot more.

When I arrived, some kid was trying to clear up some hassle involving a vehicle-related summons/ticket. I couldn’t quite understand what was his deal was, but I got the impression that his dad was a cop–the other cops addressed him by his first name, and had no problem with him going behind The Big Desk to explain himself. I also got the impression that he was trying to take care of this matter ASAP and obviate a severe ass-whipping from said father.

After him, a young lady filed a complaint about some creep who’d been following her in his car. She knew the guy from the neighborhood, but didn’t really know him or talk to him ever. Didn’t sound like she’d been threatened per se, but she felt threatened and thought it could get worse from there.

This was about all I could hear (without trying) about this case, and pretty much all I wanted to hear.

I thought another man was next, a well-dressed Asian gentleman who looked to be in his 50s, but he said he was still waiting for his paperwork. So it was my turn. But when I entered the clerk area, he then came up to the little saloon door that separated it from the waiting room to inquire about his paperwork. There was a mirror directly across the room from him, and I could see his head barely stick over the top of the door, which made him look sad and ridiculous.

As soon as the clerk saw the man, she sighed. “I told you, I can’t take your report, you’re wasting your time!”

The man insisted, very calmly, “But the DA told me I had to come here…”

The clerk cut him off. “You can say that all night, but if you don’t got no paperwork from the DA, I can’t take your report.”

The man sat down, but returned five minutes later, looking like a scolded puppy in a gray suit. The clerk tried to deflect him again, and he was just as insistent in his stoic way.

I barely understood the gist of their back and forth. But apparently the man had been evicted, wrongly, in his opinion. So he needed some kind of report to take legal action, I think. But without some sort of paperwork from the DA who worked his case, he could not file that report. Or something. It was all very Kafka-esque and bureaucratic sounding.

The clerk had no intention of taking his report unless he returned with the proper paperwork. This hadn’t deterred the man for waiting for three hours (according to the clerk), until finally, during my visit to the clerk’s room, he was sufficiently convinced to go home and get the paperwork. Or come back the next day and try to wear down the clerk with zen fortitude.

So all things considered, I’m okay with waiting an hour for paperwork, then sitting through a clerk’s weird phone conversation with an unnamed relative. Anything to get out of there.

Inappropriate Walk Up Music: 04.01.09

santo-shea.jpgFor previous Inappropriate Walk Up Music posts, click here.

Every day until Opening Day, Scratchbomb presents three tunes that are completely, unequivocally inappropriate for use as major league walk-up
music.

These are not necessarily bad songs–although that
certainly helps. They are merely songs that don’t evoke the fear and dread one traditionally associates with the walk-up song. In fact, they evoke the exact opposite.

Imagine yourself in the on-deck circle. Bottom of the 9th. Down by one. Man on second, two out. You hear the PA system blare, The centerfielder, number 20… The crowd roars at the sound of your name. And as you stroll to the batter’s box, you are greeted with the strains of one of these songs:

* “Fabulous Muscles”, Xiu Xiu
Hat tip to jbissel at the Friends of Tom forum for this suggestion. I totally forgot Xiu Xiu existed, and how annoying and fey Jamie Stewart’s voice is. He makes the guy from Antony and Johnsons sound like Henry Rollins. I want to find this song and give it an atomic wedgie. It’s so wimpy, I think I lost some muscle mass just listening to it.

* “Escape (The Pina Colada Song)”, Rupert Holmes
Also suggested by jbissel. Not only is this 70s relic inappropriate as walk-up music, but it also gives me a convenient excuse to post video of Joel and the Bots debating its merits.

* “Spirit of the Radio”, Rush
I try to be open-minded and not make snap judgments in re: people’s taste. However, there are certain bands that, if you profess to enjoy them, I have no problem immediately judging you. Say you like The Dead, I assume you smell like patchouli. If you say you like BrokeNCYDE, I assume you smell like Axe body spray and have had a lobotomy. If you say you like Rush, I assume you’re familiar with the business end of a 100-sided die.

This song is no better or worse than any other Rush song. And it’s not a bad song per se–I saw Ted Leo do a live, solo version of it at Tinkle years ago that almost made me like it (then again, Ted Leo’s the kind of guy whose musicianship and enthusiasm make you like anything he covers; dude could cover Metal Machine Music and I would hum it on the way home).

But this song has the all the hallmarks of musical nerd-dom, i.e., complication for complication’s sake: inscrutable lyrics, different sections shoe-horned together, and Neal Peart hitting every fucking drum head just because he can. It’s the soundtrack to a fierce Dungeons and Dragons session.

I should note that one of my favorite Mets of all time, Jon Olerud, used to come to bat to “Tom Sawyer”. But Jon Olerud is bulletproof in my book. Dude probably goes to bed in a batting helmet to this day.