Tag Archives: brooklyn

Greene Avenue, 1930

My grampa isn’t my grampa yet, so let’s call him Frank. Frank lives in Brooklyn or Queens, depending on what year it is. He doesn’t change his address, but the borough containing that address changes with the whims of city surveyors.

The subway is a recent addition to his neighborhood. The place is rapidly urbanizing, but there are still some signs of its small town past, like farms. A few small farms lie nearby, some only a few blocks away.

Thanksgiving is on the horizon, and Frank’s dad wants to take advantage of this proximity. He knows a farmer close by with more turkeys than he knows what to do with. Rather than drop way too much dough on a bird from the butcher, Frank’s dad figures he can buy one of these young turkeys, raise it in his backyard, and get it nice and fat in time for the big holiday. He doesn’t have a very big backyard, but how much room does a turkey need, really? All they do is eat and sleep. He’s seen neighbors raise chickens and roosters in their backyards. A turkey can’t be any harder.

This calculation doesn’t take into account Frank, and his sister Kathy. Once the turkey comes home and takes up residence in the backyard, they look upon it not as a future meal, but a pet. Frank and Kathy bring it scraps from the dinner table. They pet it and play with it, even though the concept of “play” seems too complex for a turkey to grasp. They name him Tom.

This presents a dilemma for Frank’s dad. He knows the kids are attached to the turkey and don’t want to see it slaughtered. He is inclined by nature to make them happy. He is not the whip-cracking type of dad, but a sentimental sort, a lover of pranks, a story teller. He ushers at St. Aloysius on Sundays, then goes from church straight to The Eagle’s Nest to bartend and exchange jokes.

Frank’s dad is also a Great War veteran. He served in France to display his patriotism at a time when the propaganda of the age said the True Americanism of anyone of German descent was suspect, a time. And it is 1930, which means Frank’s dad is a dad at the beginning of the Great Depression. He cannot afford to simply throw away food, even food whose name is Tom.

So despite his fun-loving, accommodating nature, Frank’s dad takes the turkey, chops its head off, plucks it, and hands the carcass off to Frank’s mom, who will cook it.

If the idea behind killing the bird was to not waste food, this proves poor reasoning. Frank’s mom and dad eat, but Frank and Kathy do not. They sit in their seats at the dinner table and stare at pieces of what was once their pet and burst out crying, wailing “oh, Tom…” Frank’s dad sees no point in berating his children, but reminds them that this is all the food they have. They can eat this on Thanksgivng or eat nothing. They choose nothing.

Frank will become my grampa and he will tell me this story, and in his telling it will be a funny story. He will imitate his young self crying over a turkey and laugh at the memory. He will have gone to war in a strange land, just like his father, and will come home in one piece and have to raise children on a tight budget, like his father. In his rearview, the plight of a turkey will come to seem like small potatoes.

You could call this cold or cruel, but I know my grampa was not a cold or cruel man. Just the opposite, just like his own father. Grampa just knew that parenting requires difficult decisions, and in a no-win situation, perhaps laughter is called for.

I believe that today of all days, if you can use your childhood pain not for brooding, but for laughing, then you should be thankful.

Queensboro Bridge, 2001

After one strange year in Bensonhurst, I have relocated to Greenpoint, along with a roommate. Our new place is an ancient railroad with bad wiring and brittle drop ceilings and no ventilation to speak of. But it is closer to where things are happening, which is enough at my current age.

The new apartment has a little area that could serve as a living room, provided we had a couch, which we do not. Neither of us are in a position to drop big bucks on furniture, but we fall ass-backwards into a couch when my roommate’s uncle informs us he bought one he doesn’t like or can’t use; he apparently dislikes the couch so much, he can’t decide exactly why he doesn’t want it. If we want to come get the couch, it’s ours. I can’t conceive of someone who’d just give away a couch, but if that’s what this man wants to do, who am I to stop him?

We rent a U-Haul, and realize when we pick the truck up that we’ve acquired way more truck than we need. It’s not a van, but a real truck, with a lift gate in the back and an overhang that extends across the cab, and a clearance height notice printed backwards so you can see it in your rearview.

I’ve driven a U-Haul in the city before. The first time came when I relocated post-college. That mission went off without a hitch, apart from the moment when I had to stop short on the Verrazano Bridge and heard all my earthly possessions shift, fall, and crash behind me. I also U-Hauled all of our stuff from one end of Brooklyn to the other when we moved to Greenpoint. That too went well, except for when I went to gas up the truck just before returning it and backed it into some dude’s van. Also on my driving résumé: negotiating band vans through city streets (high school–present), owner of an angry little Passat with manual transmission (1999–present). Therefore, I outrank my roommate in city driving experience. It falls to me to get this truck to his uncle’s apartment in Manhattan and back again.

The key to driving a truck in the city is to remember that you are bigger than pretty much everything else and you should act accordingly. Being timid and safe, pulling half out into traffic or stopping to allow a little sedan to move past you, that’s how pile ups happen.

Continue reading Queensboro Bridge, 2001

Canarsie, 1997

When I was in college, I’d take myself on trips to random neighborhoods. Pick a spot on the subway map, ride the train there, and wander around. I wanted to see the entire city, not just a tiny patch between 14th and Houston. When I went on these trips, I invariably went by myself.

This may have been a genetic affliction. My grandfather told me he used to work as a messenger, and when he’d be given a nickel for the subway, he’d pocket it so he could walk the distance. He preferred to take the messages above ground, where he could wander, explore, people-watch.

So this is why I’ve taken the L train to its end, to wander around Canarsie. A few years from now, I’ll spend a few Christmas Eves in the neighborhood, but at the moment there is no particular reason for me to be here, no landmark or great restaurant I must see in person. The idea to come here was first planted in my head by a sociology book about the neighborhood, which studied the flight of the white working class from places like Williamsburg and Brownsville out to Canarsie and points east. But more than anything, I want to check off this plot of the city in the mental ledger of places I’ve been. The sooner I check one off, the sooner I can travel to another one.

I stroll down Rockaway Parkway. It’s a gorgeous Saturday afternoon in the early fall, the sun low and orange. Every little glimpse I get of the neighborhood seems important to me because I’m here to witness it. A little old lady shuffles out of an ancient Italian pasticceria with flamingo-colored lettering. At the local high school, a football coach chews out his players for a lack of hustle. A strip mall appears charmless except for the large Burger King at its northern extremity, which never received a rebranding and still looks like the Burger Kings of my youth.

I keep wandering down Rockaway, under the Belt Parkway, and into Canarsie Pier. It has an arched welcoming sign that suggests amusement, but there are no rides or attractions here. Just a pier, really, where a few lone fisherman have cast out lines. There are also a few running paths carved out of the grass. I follow one.

Fifty feet down the path, the grass becomes wild, uncontrollable, taller than me. Then weeds emerge among the blades, huge cattails and snarling jagged things, and soon there are more of these monsters than the grass. The path seems to narrow with each step. The noise of the highway recedes into nothingness. I feel the vague unease that only surfaces in October, just when the leaves begin to change and the chill in the air first stings you. But I don’t dare turn back. I want to see all of New York.

The weeds give way, and I find myself on a dune tumbling away from me into Paedergat Basin, which separates Canarsie from Bergen Beach and Mill Basin. Across the basin, another dune, and more weeds beyond that. There are no waves here. The water tugs weakly at the sand, recedes, and tries again. The Belt Parkway is visible in the distance but only as an outline against the sun.

I am alone. But the array of trash in the sand—beer cans, Coke bottles—suggests this is a destination for somebody. So do the remnants of a badly constructed campfire, planks of mealy wood laid across each other and burnt to char, still smoldering, maybe. At times I swear I can hear music, faintly, as if it were trailing from a radio on someone’s windowsill a block away.

It suddenly occurred to me that I told no one where I was going before I left for Canarsie. I could be killed right at this moment by these campfire setters, who were surely lying in wait for saps like me to wander along, and I might never be found again. No one would know what became of me.

This is the most basic fear humans have. Not the fear of dying, but the fear of leaving no trace. We can deal, abstractly, with the thought of not existing. What terrifies us is the thought of a day when no one knows we ever existed.

I was not dressed for jogging, but I ran back on that path, past the weeds, past the grass, back onto the pier. I slowed myself down once I hit Rockaway again just so I wouldn’t look like a maniac, but I still wanted to run, past the high school and the old timey Burger King and the pasticceria, back to the L train, back to my school where I had to show my ID to enter every building and there was no doubt people were recording my existence.