When I was in high school I wrote music. When I was in high school I did a lot of things. I used to write stories and write sketches and draw cartoons and draw comic books and play trumpet and play bass. I was not encouraged to do any of these things. I didn’t go to an artsy school and I don’t come from artsy people. I simply wanted to do many things and didn’t understand people who said it was important to pick one thing and stick with it. Who could be satisfied doing just one thing with their life?
A mom and grandmother push an angry infant in a stroller. A two-year-old girl with dirty blonde curls flails at her restraints. She arches her back trying to snap herself loose and expels primal howls of want. If you had no visual and only heard her screams you would think the girl was either being murdered or was committing a murder. She doesn’t care that she looks and sounds crazy. Kids have to learn how to be sane.
I am a half a block away from the trio when the screams first catch my attention. I am walking the opposite direction. We will soon overtake each other. Once I spot them I feel my steps quicken. The little girl is a magnet of anger and id.
I have been where they are many times. Every parent thinks s/he can win a battle of wills with a two-year-old and every parent is proven wrong. You want to demonstrate you will not give a child what she wants just because she wants it. You want to instill some idea of patience and propriety. And then one day you’re out in public with your kid and she loses her mind over something trivial and suddenly your larger point is subsumed by the need for a few precious moments of peace.
The grandmother silently acquiesces to the little girl’s shrieking pleas. She reaches into a bag slung over the back of the stroller to produce the prize that will restore order to her universe. What the girl wants is a tiny toy gun. Assembled in garish plastic of purple and yellow and green. Shaped like a 1950s idea of a Martian weapon. It is a gun all the same.
The moment the little girl has the gun in her hands she points it at the only living thing in her line of sight. That thing is me. I am five or six feet away when she aims the gun at me and looks down the barrel and jabs it in my general direction. She doesn’t say bang bang but the motion has the same effect. After each “shot” she jerks the gun back and sets it up again as if reacting to recoil.
She adjusts her aim as I get closer and continues to “fire” at me even as I draw parallel to her stroller. The mom and grandmother are relieved the scene she caused is over and say nothing.
I pass them by and continue on my way. The little girl continues on hers being chauffeured toward new targets.
HBO’s critically acclaimed series COMPLICATED ANTIHERO returns for another season of gritty, uncompromising drama.
COMPLICATED ANTIHERO wakes up in a seedy motel room next to a stripper who is totally naked and nude but still asleep. The end table is strewn with empty fifths of Jack and overturned pill bottles. He sits up in bed and places his weary head in his heads while we hear Metallica’s cover of “Turn the Page.”
You try to be a good man. But what is a good man? What is good? What is right and what is wrong? What is “is”? Does anything mean something anymore? Not from where I’m sitting.
CUT TO: COMPLICATED ANTIHERO pouring wet concrete down a snitch’s throat.
* * *
COMPLICATED ANTIHERO is at his EX-WIFE’s house. She smokes and looks on disapprovingly while he watches his SON play with blocks. He has a look of paternal pride mixed with an immutable element of sadness and also wears a badass leather jacket.
You wanna be a father to him now, after all this time? You’re gonna teach him right from wrong? (sardonic laughter) You ain’t no father.
You think you know what a father is? You think anybody knows what a father is? You think anybody knows anything?
CUT TO: COMPLICATED ANTIHERO running over the mayor with a tank.
* * *
Police interrogation room. COMPLICATED ANTIHERO sits handcuffed to a desk and his face is a little beat up but not so much we can’t see his eyes still burn with righteous indignation over all the world’s injustice. His nemesis, DETECTIVE WISNIEWSKI, gets right in his face.
You might beat this rap, scumbag, but mark my words, I will take you down if I have to do it all by myself. Because YOU represent everything that’s wrong with this world. We used to have RULES. We used to have RIGHT and WRONG. We used to have CLEARLY DEFINED BORDERS BETWEEN THINGS.
COMPLICATED ANTIHERO lets out a wan laugh.
CUT TO: COMPLICATED ANTIHERO whipping everyone in a subway car with a bike chain lit on fire.
* * *
COMPLICATED ANTIHERO sits in a confessional, his hands clasped in prayer and clutching a rosary.
I used to have faith, Father. I used to believe in things like right and wrong. But I don’t see them in this world no more.
I wish I could tell you otherwise, my son. But I’m afraid I don’t see them in this world either.
A single tear runs down COMPLICATED ANTIHERO’s cheek, lit by the slightest hint of moonlight creeping through a latticed window. It also lights up his stubble and makes it look great.
CUT TO: COMPLICATED ANTIHERO forcing some dude to eat an anvil.
* * *
COMPLICATED ANTIHERO genuflects at his FATHER’s hospital bed. There’s tubes up his father’s nose because he’s gonna die of some cancer thing. COMPLICATED ANTIHERO grasps his father’s wizened hands in his own and chokes back the tears welling in his throat.
You never cared for me, Pop! You never taught me right from wrong! You never taught me nothin’!
I taught you the most important lesson of all, son. There ain’t no right and wrong in this world.
So, let’s see how our patient is doing…
COMPLICATED ANTIHERO pistol-whips DOCTOR with crash cart.
* * *
A dream sequence. COMPLICATED ANTIHERO watches helplessly as a bird pecks away at his hands, eating the flesh all the way to the bone. The bird flies away.
COMPLICATED ANTIHERO wakes up, in a different motel room next to a different totally naked nude stripper. He sits at the edge of the bed and rests his head in his hands.
What does it mean? What does anything mean?
CUT TO: COMPLICATED ANTIHERO throwing a flaming school bus at an orphanage.
It is near-rush hour on the F train which is to say it is crowded but not packed. A pair of drag queens crack each other in a nook by a shut door. One baby wails in each half of the car. The one attacking my left ear is a little more persistent than the one attacking my right. A panhandler says “Excuse me” in a clear smooth voice so he can move past other riders before adopting a pitted groan to give his SPARE CHANGE pitch.
I’m attempting to read Richard Rhodes’ The Making of the Atomic Bomb which is a long and heavy book and not conducive to standing-up-on-the-subway reading but I’m reading it anyway. I’ve read this book before but I recently felt compelled to reread it. I’m not sure why.
We are stalled at the Queensbridge stop when a yell asserts itself above the din. I look down at the far end of the car and see a man in gray packed against a closed door. His brow is knotted as he unsheathes his shaved dome from his headphones.
IT’S CROWDED BUT IT AIN’T THAT CROWDED! he shouts. WHY YOU GOTTA BE ON TOP OF ME?! From where I stand no one appears to be on top of him. I can’t see the target of his yells. I can only see the other riders craning their necks to get a look at the noise.
MOTHERFUCKER YOU THINK THIS IS A GAME? he yells. These words are a signal that tell every pair of eyes to avert its gaze and every head to pivot away. Nothing good has ever happened after these words are spoken. No one ever says YOU THINK THIS IS A GAME?! before handing out freshly baked cookies.
YOU GIVE ME AN ATTITUDE?! YOU TRY THIS CONDESCENDING BULLSHIT WITH ME?! The man was obviously convinced that he of all people should not have to stand for whatever transgression was just visited upon him. The world should have known that he was a man not to be trifled with or a man with a reputation or a man at the end of a long bad day or a man at the end of his rope.
The doors won’t close to move on to the next station. This gives the drag queens enough time to give each other a knowing look and run out onto the platform to find another car to ride in. I contemplate doing the same until a conductor squawks over the PA. For a moment me and all the other riders in the car believe someone will do something about the man’s escalating anger.
The conductor has other fish to fry. I told you you can’t hold the train doors to panhandle, he bleats in exasperated pixilation to some other miscreant. Let go of the doors so the train can move. You do that again and I’m callin the cops. The doors stutter back and forth for a few seconds to chase away this unseen annoyance.
Then the doors shut and we continue on out way but the yelling man is still yelling. YOU DO THIS TO ME?! he spits. Everyone else’s head is cast down. The F is an express once it leaves Manhattan. A long ride lies between Queensbridge and Roosevelt Avenue. It will be an even longer ride with this man screaming and everyone silently begging the train to move faster toward its next stop.
The car takes on the feel of a hospital waiting room. No one can stand to look at anyone else. Everyone expects bad news and they prefer it come sooner than later. The bad news will be nothing compared to the torture of waiting for the bad news.
I try to distract myself with my book. The Making of the Atomic Bomb starts with the amazing discoveries of physics in the early 1900s and how these advances laid the groundwork for the weapon to come. I’ve reached the point in the book where scientists first ponder the possibility of fission: Is it possible? Can a reaction be contained? Would this unleash more power than the world can handle? It’s also the point at which the rise of Hitler in Germany sends many of the world’s best physicists to America. At least the ones perceptive enough to recognize the approaching danger. Even some of the smartest people who ever lived had trouble believing the Nazis were going to do exactly what they said they’d do. It was all too monstrous to be real until it was monstrously real.
The Making of the Atomic Bomb is about as accessible as a book mostly about physics can be. Rhodes’ prose alternates between breezy comparisons and touching profundity. But the finer details can be rough to negotiate even without a crazy person threatening to explode in your subway car. Someone who is wailing at a foe who I can’t see and who may have a weapon and may just be hunting in his overcharged brain for an excuse to produce it.
I kept my eyes on the exploits of Niels Bohr and Enrico Fermi and Leo Szilard because they were all past. We all know how that story ended. The one in my car had a more doubtful outcome.
Bohr did not think his compound model of the nucleus boded well for harnessing nuclear energy….THIS AIN’T NO GAME…Einstein had compared it to shooting in the dark at scarce birds…I AIN’T PLAYIN…the efficiency of slow neutrons “might never have been discovered if Italy were not rich in marble”…YOU GONNA DO THAT TO ME?!…The truth was, uranium was a confusion, and no one yet knew…THIS WHOLE CAR MAN THIS WHOLE CAR…Szilard saw beyond “energy for industrial purposes” to the possibility of weapons of war…
The book slowly overtakes the voice. The yelling stops completely as light pierces the car and we approach Roosevelt. Whoever this man felt the need to yell at refused all that time to yell back—assuming he existed at all. Without someone to react with his anger burned up all its fuel and died off.
I dare to look in the yeller’s general direction as I depart for the local. I do not see him. He produced only fright before dispersing into the ether. If only every outburst failed to spark a chain reaction.
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And now, without further ado, we present our recap of episode 507, “The One Where Wrathmire Kills Galdarf and Assumes the Throne, Only to Be Thwarted By His Bitterest Rival and Burned Alive”
Following that announcement, I’ve gotten a number of requests from the device-disinclined population to read the book in non-electronic form. I wish I could fulfill these requests, but while book printing is easier and cheaper than it’s ever been, it remains neither cheap nor easy. The price to make physical copies of my book wouldn’t be insane in the grand scheme of things, but they would probably run into 4 figures, and if my ebook sales are any indication, I’d never make back those costs.
I honestly wish I could make my novel a “real” book because I still have a romantic attachment to seeing a book I wrote on a shelf in a quaint book shoppe where WQXR plays gently in the background and some weird dude monopolizes the store’s only table to plow through a pile of Schopenhauer. So I went ahead and did the next best thing.
I’ve put my book up for sale via Kobo, an ereader device/app that has partnerships with a number of indie bookstores across the country. It’s a small way to read ebooks for titles like mine that are only available in ebook form, yet still support the existence of local bookstores (as opposed Amazon, which wants to crush them). If you go to this page, you can a zip code and find a nearby store that sells ebooks via Kobo.
If you’re in the NYC area, I know Word, Housing Works, and Greenlight all work with Kobo. So if you wanna buy Hang A Crooked Number while still supporting the printed word dispenser near you, consider this path. The bookstore gets a cut, I get a cut, local shops get to stay in business, and you get to buy something quickly and easily without stepping on someone’s throat. What a novel concept.
I used to see him every morning waiting for the F train. I’d climb the stairs from the L to the F platform and there he’d be, as if he wouldn’t appear until I arrived. He wore black frame glasses and had a mop of carefully messed-up sandy brown hair with sideburns, and was always dressed with assured but subdued style. He favored striped shirts and dark pants and I got the idea in my head that he used to be in a power pop band, or still was.
He’d never be alone. A little girl clutched his hand, adorably and impossibly blond. She appeared to be around my own daughter’s age at the time, three or four years old. The dad also had a Snugli strapped to his chest cocooning an infant girl, who barely stirred except to occasionally nuzzle her tiny head into her father’s chest.
They went the same way as me, boarding the F at the very front of the train. The little girl would perch on her seat and look out the window at the nothing of the subway tunnel yet still see enough to ask an endless series of questions: What’s that? What’s that? What’s that? The dad would answer to the best of his ability while reminding her they would be on the train for just one stop and then they had to get off, okay?
They would position themselves to disembark at the very first door, a few feet in front of me as I steeled myself to do the same. I would wait to move until the dad got his cargo off the train, the little girl toddling onto the platform with harsh but unsure little girl steps,
Sometimes I would dash past them, not wanting to get caught behind them on the stairs leading back to the street because I was running late or had work waiting on my desk. But sometimes I wouldn’t care and I’d walk behind them, watching the little girl scale the steps, lifting one foot as high as she could, then the other.
Seeing him with his little girls reminded me of my own little girl I’d just dropped off at day care. He reminded me that my work day was just one long countdown until I could see her again. I envied him, but I wasn’t jealous. I was happy for him, happy that he could do this, happy that somebody could, happy that he was happy, and he looked happier than anyone should that early in the morning.
I saw this dad and his girls most mornings for a year or two, maybe more. Then one day I didn’t seem them, and it made me sad. I didn’t see them the next day, or the day after that, and I was still sad. But then I didn’t see them for a while, and soon I forgot that I hadn’t seen them in a while, and they were lost in some hazy place in my mind.
On Monday morning, I took my usual route to work at my usual time, my ears plugged up with headphones and my mind swirling with a legion of slights I hadn’t even suffered yet, and as I ascended the stairs from L train to the F, there he was. He had only one little girl with him now, and not the same one as before. The blonde girl had been replaced by a tiny redhead, the former Snugli occupant. The Snugli was gone, and so was the blonde chatterbox who used to clutch his hand. Older and off to school, just like my own girl.
They weren’t waiting around for the F train like they used to. The dad and the tiny redhead climbed the stairs to street level. The girl hoisted one leg with defiance, then the other, just like her sister used to, while the dad beamed, and so did everyone on the platform who saw them climb.
I stared at them as they went, until the F train arrived to take me away. I used to see that every day, I remembered. I was glad to know that I missed them.